| 摘要: | 摘要
本論文分為五章：第一章緒論，包含研究動機與目的、研究方法以及研究範圍。第二章探討男高音的歷史背景、分類其特質和訓練方法。第三章：藝術歌曲分析與詮釋，舒曼連篇歌曲《詩人之戀》十六首。第四章：歌劇選曲，威爾第歌劇《茶花女》〈我年輕狂熱的夢〉及《弄臣》〈善變的女人〉兩首歌劇詠嘆調；研究作曲家與歌詞作者之生平、創作背景，並探討歌劇劇情、角色特質、和歌詞翻譯。第五章為結語。
關鍵辭：男高音、藝術歌曲、歌劇詠嘆調
Abstract
This thesis consists of five chapters: The first chapter, the foreword cover this essay’s objective and motive of research, to method and area of my analysis. The second chapter is an introduction of different spectrum of such role, the historical backgrounds, and the methods of practicing. In the third chapter is an analysis of tenor’s art songs repertoire Schumann’s Dichterliebe op. 48 and translation there of. To explore a tenor’s role in opera in the fourth section, I utilize G. Verdi’s “ De’ miei bollenti spiriti ” from La Traviata and“La donna è mobile”from Rigoletto, with a study of the composer and the playwright’s biography and backgrounds. In addition, a translated interpretation analysis and the tenor’s role characteristics herein portrayed in the before mentioned masterworks will be discussed. Lastly, the fifth section is bring down the curtain and then conclude the thesis.
Keyword: Tenor、Art song、Opera aria |
