文化大學機構典藏 CCUR:Item 987654321/52902
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    jsp.display-item.identifier=請使用永久網址來引用或連結此文件: https://irlib.pccu.edu.tw/handle/987654321/52902


    题名: 程大兆笛作品《 陝北四章 》之探討
    Investigation and Diseussion of Dizi Piece by Dazhao Cheng: Four Movements of Shanbei
    作者: 黃筱筑
    贡献者: 中國音樂學系
    关键词: 信天游
    二人台
    秦腔
    秧歌
    日期: 2023
    上传时间: 2023-08-07 10:22:17 (UTC+8)
    摘要: 陝西省有著濃厚且獨特的人文風情,藉由陝北的信天游、秧歌、秦腔、二人台等劇種之特點運用於器樂上的技巧特色又因語言南腔北調的關係而形成不一樣的特色。
    程大兆生於陝西,受當地人文風情之薰陶運用陝北劇種信天游、秧歌、二人台及秦腔等素材創作其共同特色運用四、五度音的音程來建構音樂主體。且這些素材從民歌基礎中發展,而造就他所寫的作品有著樸實、深厚的韻味。筆者將其素材作為探討以及延伸樂章標題之敘述,加以分析及詮釋樂曲之說明。
    The Shanbei has a rich and unique cultural heritage, characterized by the use of techniques and features from local theatrical genres such as Xintiangu, yangge, Qin opera, and errentai in instrumental music, as well as the distinctive accent of the language. Born in Shaanxi and influenced by its cultural heritage, Cheng Dazhao used materials from local theatrical genres such as Xintiangu, yangge, errentai, and Qin opera to create his works, characterized by the use of consonant harmonies built on fourth and fifth degree intervals. These materials are based on folk songs, giving his compositions a simple and profound flavor. The author will analyze and interpret the music through exploring and extending the movement titles based on these materials.
    显示于类别:[中國音樂學系] 博碩士論文

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