隨著時代背景的循序更迭，現代美人繪畫的作品與早期傳統畫作相比，繪畫的目地不再只是單一性題材。而在其多元化的時代背景與風格特色下，都深深影響著後來的繪畫風氣。現今有許多畫家在創作的過程中，透過普羅大眾的插畫風格，讓這些女性的繪畫題材作品產生更加多樣化。
筆者藉由此論述創作報告「花語情愫」，探討油畫作品「花嫁」、「朝花」、「花卉與動物」以及「花紋」等系列中，所帶來的女性、色彩、圖形及線條之間的多樣化。另外，筆者也透過分析花卉與女性相關的藝術家與作品，從中獲得靈感並實踐。藉此表達對花卉的喜愛與感動，以及自身對於繪畫的心境與感觸，並期許自己在最後能從中得到進步，也讓來欣賞的觀者與筆者有相同的心境與領悟。
Following changes over multiple eras, the subject of the contemporary “paintings of feminine beauty” is no longer an unvaried theme, in contrast with the traditional works of the early days. The diversity of the current zeitgeist and genres has deeply influenced the artistic climate of today. Many contemporary artists use the illustration techniques in popular culture to introduce innovative elements to the depiction of women in visual art.
The author takes that this dissertation titled “Affections in Flower Meanings”, through its discourse on a series of oil paintings—“Hanayome”, “Morning Flowers”, “Flowers and Animals” and “Floral Patterns”—and the array of female forms, colors, figures and lines therein, will convey the author’s admiration towards flowers and her emotions evoked by the paintings. Additionally, the author comments on artists with women and flowers who influenced herself, and find relevance and obtain from them. The author wishes to have reaped learnings throughout this process and that all viewers will be able to share the same mood and understanding as the author herself.
