The main purpose of this paper is to study the aesthetic ideas of the twenty-four solar terms in floral art creation and their contextual art. The author collects relevant literature and image data, organizes and analyzes them, and integrates and classifies them according to their solar terms and the creation of their landscapes.
The first chapter of this paper is devoted to the motivation and purpose of this thesis, followed by a discussion of the methodology and content of the study, which serves as the framework for this thesis. The purpose of the study is to develop the aesthetic concept of the creation of rhythm and contextualization, and then to explain its status in art history. Chapter 2 explains the origin and development of the solar terms, including the background of the origin of the 24 solar terms, their development and cultural phenomena, such as the solar terms and cultivation, the solar terms and health, and the solar terms and arts. The third chapter is divided into three chapters on the connection between the solar terms and floral art: "The natural relationship between flowers and trees and the solar terms", "The 24 Floral Winds of the Guangqunfang Book", and "The correspondence between traditional seasonal solar terms and floral art". The fourth chapter is an analysis and explanation of the creative works of the twenty-four seasonal floral art, and The fifth chapter is about the author's creative research experience, as well as self-expectations and plans for the future development, hoping that the author can make deeper and broader academic achievements on this basis.
