文化大學機構典藏 CCUR:Item 987654321/51438
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    jsp.display-item.identifier=請使用永久網址來引用或連結此文件: https://irlib.pccu.edu.tw/handle/987654321/51438


    题名: 節氣 • 造境 ― 陳冠伶花藝創作論述
    A Discourse on Floral Art Creation by Chen Kuan-Ling
    作者: 陳冠伶
    贡献者: 美術學系
    关键词: 節氣
    造境
    中華花藝
    Solar Terms
    Creation
    Chinese flower art
    日期: 2022
    上传时间: 2023-03-09 10:12:38 (UTC+8)
    摘要: 本論文之主旨在於研究花藝創作中，二十四節氣與其造境藝術所蘊含的美學思想。筆者蒐集相關的文獻、圖像資料，加以整理分析，按照造境進行整合分類，依其節氣，造境之花藝創作分析及研究。
    本文第一章為緒論，先說明本論文之研究的動機和目的，再而論述其研究方法與研究內容，作為論文的架構；研究的目的則藉由節氣，造境之創作發展為美學觀的體現，進而闡釋在藝術史上之地位。第二章說明節氣的源流及發展，包含二十四節氣的濫觴背景，分發展與文化現象，如節氣與耕植、節氣與養生及節氣與文藝。第三章則分為節氣與花藝的連結，從《花木與節氣的自然關係》、《廣群芳譜》〈二十四番花信風〉及《傳統時令節氣與花藝的對應》三篇來論述。第四章為二十四節氣花藝創作作品分析及解說，第五章則是創作研究的心得，及後續發展，前瞻的自我期許與規劃，希望未來筆者能在此基礎上做出加深加廣的學術成果。

    The main purpose of this paper is to study the aesthetic ideas of the twenty-four solar terms in floral art creation and their contextual art. The author collects relevant literature and image data, organizes and analyzes them, and integrates and classifies them according to their solar terms and the creation of their landscapes.
    The first chapter of this paper is devoted to the motivation and purpose of this thesis, followed by a discussion of the methodology and content of the study, which serves as the framework for this thesis. The purpose of the study is to develop the aesthetic concept of the creation of rhythm and contextualization, and then to explain its status in art history. Chapter 2 explains the origin and development of the solar terms, including the background of the origin of the 24 solar terms, their development and cultural phenomena, such as the solar terms and cultivation, the solar terms and health, and the solar terms and arts. The third chapter is divided into three chapters on the connection between the solar terms and floral art: "The natural relationship between flowers and trees and the solar terms", "The 24 Floral Winds of the Guangqunfang Book", and "The correspondence between traditional seasonal solar terms and floral art". The fourth chapter is an analysis and explanation of the creative works of the twenty-four seasonal floral art, and The fifth chapter is about the author's creative research experience, as well as self-expectations and plans for the future development, hoping that the author can make deeper and broader academic achievements on this basis.
    显示于类别:[美術學系所] 博碩士論文

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