| 摘要: | 蕭邦（Frédéric Chopin, 1810-1849）和李斯特（Franz Liszt, 1811-1886）兩人都是十九世紀浪漫時期知名作曲家，都擅長以鋼琴來創作，他們的鋼琴曲流傳至今皆大受歡迎。蕭邦是第一位以鋼琴器樂來寫作敘事曲的作曲家，李斯特的敘事曲創作即是受蕭邦的影響。本論文要探討的蕭邦《第二首敘事曲F大調》和李斯特《第二首敘事曲B小調》都是充滿敘述詩意和戲劇張力的敘事曲傑作。為了能更深入了解作曲家創作時的想法、作品的內涵與風格，筆者研究大綱如下：第一章緒論，說明研究動機與目的、研究範圍和研究方法與步驟；第二章探討敘事曲的發展史；第三章蕭邦《第二首敘事曲F大調》，研究作曲家的生平、音樂風格、創作背景和樂曲分析與演奏詮釋；第四章李斯特《第二首敘事曲B小調》，研究作曲家的生平、音樂風格、創作背景和樂曲分析與演奏詮釋；第五章結論。期望藉此研究對於彈奏蕭邦和李斯特敘事曲時有最佳的體驗和詮釋。
Frédéric Chopin（1810-1849）and Franz Liszt（1811-1886）were both well-known composers in the Romantic era of the nineteenth century. They were good at composing for the piano, and their piano music has been very popular to this day. Chopin was the first composer to write Ballade for the piano as instrumental music, and the creation of Liszt’s Ballades was influenced by Chopin. Chopin’s Ballade No. 2 in F major Op. 38 and Liszt’s Ballade No. 2 in B minor S. 171, discussed in this thesis, are both full of narrative poetry and dramatic tension and are masterpieces of Ballades.. In order to have a deeper understanding of the composer’s creative ideas, and the connotation and style of the works, the outline of the author’s research is as follows: Chapter 1 is an introduction, which explains the research motivation and purpose, research scope, research methods and steps; Chapter 2 discusses the development of ballades history; Chapter 3 studies Chopin’s Ballade No. 2 in F major Op. 38, which includes the composer’s life, his musical style, the creative background, the analysis and interpretation of the work; Chapter 4 studies Liszt’s Ballade No. 2 in B minor S. 171, which includes the composer’s life, his musical style, the creative background, the analysis and interpretation of the work; Chapter 5 is a conclusion. It is hoped that this research will offer the best experience and interpretation for the author when playing these Ballades by Chopin and Liszt. |
