路德維西．范．貝多芬 ( Ludwig van Beethoven, 1770-1827 ) 一生創作無數，其鋼琴奏鳴曲便多達三十二首，風格更是橫跨古典樂派與浪漫樂派，此一系列奏鳴曲作品與巴哈 ( Johann Sebastian Bach, 1685-1750 ) 的《十二平均律》被譽為鋼琴的新約及鋼琴的舊約，可見其藝術價值與崇高地位。本論文以貝多芬鋼琴奏鳴曲作品二十二為研究主題，共分為五章進行研究。第一章為緒論，闡述研究動機與研究方法 ; 第二章為創作背景，藉由整理貝多芬創作風格之分期以及了解時代背景，研究第一時期之風格特色，再介紹此曲之創作背景 ; 第三章與第四章分別為此作品作樂曲分析及演奏詮釋，且每章中，一節皆為單一樂章 ; 第五章為結論，筆者將研究之結論與心得作重點整理。
Ludwig van Beethoven (1770-1827) composed countless works during his lifetime, including 32 piano sonatas and bridging the Classical and Romantic styles. His sonatas and Johann Sebastian Bach’s (1685-1750) Well-Tempered Clavier have been hailed as “the New Testament” and “the Old Testament” of piano literature, respectively, demonstrating their artistic value and lofty status. This thesis, taking Beethoven’s Piano Sonata Op. 22 as the research topic, comprises five chapters. The first chapter is the introduction, which explains the motivation and methodology of the study. The second chapter elaborates on the composition background; through a summarization of the stages of Beethoven’s compositional style and an exploration of his historical background, the characteristics of his style during the first stage are studied, and the composition background of the work is introduced. The third and fourth chapters provide an analysis of the composition of the work and an interpretation of its performance, respectively. In the two chapters, each section addresses a single movement. Section 5 is the conclusion, presenting the key conclusions and insights of the study.
