| 摘要: | 阮咸是古老的中國彈撥樂器，早發源於秦漢時期，又稱秦琵琶；唐代時期蓬勃發展，至明代時期逐漸沒落，而曲譜、資料等都未保存與流傳。直到近代歸功於一群阮教育、作曲家與樂器改革家的努力，出現許多了阮咸獨奏曲目。
教育家林吉良在阮的發展中，有其顯著的貢獻，他不但是教育了許多的演奏者，同時也創作了大量的阮演奏曲，對於阮的發展有極大的貢獻。其中如：《滿江紅》、《草原抒懷》、《石林夜曲》、《游泰山》、《山行》等等數十首樂曲，都是學習中阮必學之曲目。筆者學習中阮的過程中，接觸了許多林吉良的作品，其中《石林夜曲》、《游泰山》、《滿江紅》三首風格不同的曲目，作品有意境且有深度，技巧看似簡單卻有難度，讓筆者希望更近一步藉由論文撰寫加以研究與探討。
經過樂曲創作背景之資料收集，樂曲架構分析，筆者能夠更深瞭解創作之手法與音樂內容深度意涵，進而在演奏詮釋上得到發揮。
The Ruan, also called Qin Pipa, is a Chinese plucked string instrument invented during the Qing and Han dynasty. This instrument flourished in the Tang dynasty then declined in the Ming—most of the musical scores and relevant information are not well-preserved. Fortunately, with the efforts of a group of educators, composers and instrumental reformers, many Ruan solos come into being—Ji-liang Lin play a significant role in it. Lin not only teaches many performers but also creates lots of Ruan songs: “A River of Red,” “Grassland Memories,” “Stone Forest Nocturne,” “Play on Mount Tai,” and “Walking on a Mountain” are the well-known ones, which are the must-learn for Zhongruan players. “Stone Forest Nocturne,” “Play on Mount Tai” and “A River of Red” are three songs of different styles. They seem to be easy to play, but in fact, they are difficult, thought-provoking and profound. Therefore, I hope to analyze these three songs in my thesis.
By collecting background information about the creations of “Stone Forest Nocturne,” “Play on Mount Tai” and “A River of Red,” and analyzing the structures of the songs, I know them better and thus do a better job when performing them. |
