論義大利文藝復興時期建築物之藝術風貌

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題名:	論義大利文藝復興時期建築物之藝術風貌
作者:	陳怡如
貢獻者:	藝術研究所美術組碩士在職專班
關鍵詞:	文藝復興 Renaissance 手法主義 Mannerism 比例 Proportion
日期:	2011
上傳時間:	2012-12-13 09:01:38 (UTC+8)
摘要:	文藝復興時期是西方古典文明的再生和近代文明的開始，義大利具體建築，可分為初期文藝復興（十五世紀）和盛期文藝復興（十六世紀）兩個時期，由於政治、經濟的改變和財富的集中，促進了文明演進的腳步及城市文明發展的重要因素。文藝復興原則上以佛羅倫斯（Florence）布魯內列斯基（Filippo Brunelleschi，1377-1446）建造的作品，作為復興古代建築的開端，而成為早期文藝復興建築的特徵。盛期的文藝復興受到政治、經濟的影響因素，後來所發展的出的羅馬新建築，逐漸地影響到義大利其他的地方，如威尼斯（Venice）、熱那亞（Genoa）、米蘭（Milan）等。西元1500-1514年多納托‧布拉曼特（Ducato Bramante，1444-1514）在羅馬的作品，是盛期文藝復興開始的標誌特徵，推崇創造和想像力的「手法主義」為十六世紀後期建築的稱號。古典風格的重現、回歸基本原則、建築形式的新構思為文藝復興建築的革新，比例、和諧的關係是其基本原則，「神秘主義」（occultism）、「象徵主義」（Symbolism）也以此依據而創見。　　本研究旨從義大利文藝復興的起源與發展，來深入探討此時期的建築藝術風貌，藉由人類的歷史、文化、經濟、社會的影響及發展過程，瞭解建築真正的意義。藉由研究義大利文藝復興建築藝術之風貌的同時，使我們更瞭解西方建築師所努力的成果，以做為當今建築的新思維。　　Renaissance is the regeneration of the Western classical civilization and the beginning of modern civilization. Italian concrete construction can be divided into the early Renaissance (Fifteenth Century) and the peak Renaissance (Sixteenth Century). The political, economic change and concentration of wealth have promoted the pace of civilization evolution and become important factors for the development of urban civilization. The ancient constructions in the Renaissance began with the construction works of Filippo Brunelleschi (1377-1446), Florence in principle and became the characteristics of early Renaissance construction. Influenced by political and economic factors, the peak Renaissance later developed new construction in Rome, Italy, which gradually affected other areas, such as Venice, Genoa, and Milan and so on. The works by Ducato Bramante (1444-1514) in Rome in AD 1500-1514 was the characteristics of the beginning of the peak Renaissance and highly praised the “mannerism” of creativity and imagination as the title of the late Sixteenth-Century construction. The reproduction of the classical style, return to the basic principles and new ideas for architectural forms are the innovations of Renaissance construction; the proportion and the harmonious relationship are the basic principles; “occultism” and “Symbolism” are then imbued with original idea. 　　This study aims to conduct an in-depth exploration on the artistic style of Italian Renaissance construction from the perspective of the origins and development of the Italian Renaissance and to further understand the true meaning of the construction through human history, culture, economics, social impact and the development process. By studying the artistic style of Italian Renaissance construction, we can better understand the efforts of Western architects which can provide the new thinking of contemporary construction.
顯示於類別:	[美術學系所] 博碩士論文

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