許地山小小說的陌異化技巧－一個文類的課題

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Title:	許地山小小說的陌異化技巧－一個文類的課題
Other Titles:	Defamiliarization in Xu Di-shan's Short-Short Stories--A Problem of Genre
Authors:	丁善雄
Contributors:	中國文化大學
Keywords:	小小說突發小說瞬間小說陌異化
Date:	2004-06-01
Issue Date:	2012-05-16 10:06:50 (UTC+8)
Abstract:	許地山的小小說，大部分發表在一九二○年代上海出版的《小說月報》，這些作品如〈落花生〉、〈面具〉〈蟬〉〈鬼贊〉等，傳統上被歸類爲「散文」事实上，许地山的很多「散文」，屬於現今流行的「小小說」（或稱「極短篇」）新文類，本論文以俄國形式主義理論佘格洛夫斯基(Viktor Shklovskv)的「陌異化」(defamiliarization)論點，分析許地山的小小說特色，以提供讀者一新的析賞方向。 Most of Xu Di-shan's short-short stories published in Fiction Monthly in the 1920s in Shanghai, are traditionally regarded as "prose." In fact his famous works such as "Peanut," "Mask," "Cicada," "Snake," "A Praise to Ghost," etc. belong to the new genre "Short-short story," also known as "Flash fiction," or "Sudden fiction." This thesis analyzes the technique of Xu's short-short stories by way of Viktor Shklovsky's "defamiliarization" theory, in the hope of offering the reader a new approach to Xu's "prose".
Relation:	華岡英語學報 10期 P.3-18
Appears in Collections:	[Department of English Language and Literature ] Hwa Kang English Journal

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