三首當代箏曲之演奏分析─《星塵》、《飄飄何所似，風起舞動時》、《曉霧》

CCUR > College of Arts > Department of Music > Thesis > Item 987654321/20356

Please use this identifier to cite or link to this item: https://irlib.pccu.edu.tw/handle/987654321/20356

Title:	三首當代箏曲之演奏分析─《星塵》、《飄飄何所似，風起舞動時》、《曉霧》
Authors:	姜采希
Contributors:	音樂學系
Keywords:	箏《星塵》《飄飄何所似，風起舞動時》《曉霧》樊慰慈陶一陌王中山
Date:	2010
Issue Date:	2011-11-14 13:55:47 (UTC+8)
Abstract:	本論文以研究《星塵》、《飄飄何所似，風起舞動時》、《曉霧》三首當代箏樂作品為內容，此三首箏曲創作於2004至2008年間，雖創作時間不長，卻已被習箏及愛箏之人仕所喜愛，並且使用於比賽、考試和音樂會上，筆者希冀經由對三首箏曲的分析研究，能於演奏時有更加細緻的詮釋呈現。本文共有五章，第一章為緒論：包含研究動機與目的、研究範圍、研究方法與步驟、文獻探討；第二章到第四章分別為《星塵》、《飄飄何所似，風起舞動時》、《曉霧》三首箏曲的創作背景、樂曲結構分析、演奏詮釋分析，第五章為結論。透過樂曲結構及演奏詮釋分析的方法了解樂曲，本文將演奏詮釋分析的部份分為音色、速度、以及演奏特色等項目，三首箏曲在音色的使用上皆有豐富的層次變化，作曲者在彈性速度的使用上較為自由，給予演奏者更多個人體悟的空間，《星塵》與《曉霧》的作曲者(樊慰慈先生和王中山先生)也是古箏演奏者，在這兩首箏曲中皆有較具有個人特色性的指法技巧，《飄飄何所似，風起舞動時》的作曲者陶一陌先生為專業作曲家，本身不會彈奏古箏，其創作箏曲的多為浪漫寫意的風格，很具個人特色，旋律通常給人空靈飄逸的音樂感受。 This research confines the scope in three contemporary works, Star Dust; Like Wind, Floating in the Air, Like Dance, Waving in the Wind, and Mists at Dawn, which were composed between 2004 and 2008. Even though it hasn’t been long since the works were composed, they have been used comprehensively in music contests, exams and concerts. I hope to refine the performance of these three works into a more exquisite stage by analyzing music formation. The research breaks down into five chapters. Chapter one, introduction, includes research motivation and purpose, research method and sequence, literature review. Chapter two to chapter four are music formation analysis which consist of composition background, music structure analysis and performance hermeneutic analysis Star Dust; Like Wind, Floating in the Air, Like Dance, Waving in the Wind, and Mists at Dawn respectively. Chapter five, the conclusion. In chapter two to chapter four, I presented three works by using music structure analysis and performance hermeneutic analysis. Performance hermeneutic analysis can be divided into three parts: timbre, tempo and character of play. Three works are much alike in timbre that they have a plenty of Level change. The composer has used a rather restraintless tempo, so that enriches performers’ imagination. The composers of Star Dust and Mists at Dawn are both zheng performers. They employed individual fingerings in composing these two works. However, the composer of Like Wind, Floating in the Air, Like Dance, Waving in the Wind, a full-time composer, possesses a romantic style. His melody often impresses audience with romantic feeling.
Appears in Collections:	[Department of Music ] Thesis

Files in This Item:

File	Description	Size	Format
109-1.pdf		208Kb	Adobe PDF	513	View/Open
109-2.pdf		4991Kb	Adobe PDF	1893	View/Open

Loading...