文化大學機構典藏 CCUR:Item 987654321/20268
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    CCUR > College of Arts > Department of Music  > Thesis >  Item 987654321/20268


    Please use this identifier to cite or link to this item: https://irlib.pccu.edu.tw/handle/987654321/20268


    Title: 原創揚琴協奏曲《雅魯藏布江邊》、《春夜喜雨》之分析與詮釋
    Authors: 林聖哲
    Contributors: 音樂學系
    Keywords: 原創
    揚琴協奏曲
    雅魯藏布江邊
    春夜喜雨
    Date: 2010
    Issue Date: 2011-11-07 14:49:32 (UTC+8)
    Abstract: 原創揚琴協奏曲作品數量，至現今為止相較於二胡、笛子、琵琶等器樂相對較少，筆者認為可能肇因於作曲者對揚琴器樂特性的不熟悉，直覺於揚琴音響不適合樂團協奏所致。
    本文選用兩首揚琴協奏曲作品，瞿春泉老師創作的《雅魯藏布江邊》與徐景新老師創作的《春夜喜雨》，進行探究與分析詮釋，經由本研究對揚琴器樂的特性、演奏的特殊技巧、揚琴特有的音色等剖析，期望能提供當代作曲家一些明確的資訊，使未來能產生更多優秀的揚琴協奏曲作品，使揚琴音樂有更好的發展。
    本文首先探討作曲者創作動機與背景，藉由訪談作曲者、首演者，瞭解當初作曲理念和演奏技巧。接著透過樂曲分析及詮釋，總結出演奏此曲應注意之重點，最後再提出筆者對此二首樂曲的詮釋和創新看法。

    Nowadays, Original works of Yang Qin concertos are less than Erhu, Dizi and Pipa. The author assumes the following reasons for that: The composers are not familiar with the instrumental characteristics of Yang Qin. And the composers also think the sound of Yang Qin which is not suitable in the concerto.
    This thesis discusses and analyzes the interpretation of two Yang Qin concertos,"Brahmaputra edge" by Qu Chun-Quan and "Spring Night Light Rain" by Xu Jing-Xin. The research explains and analyzes the characteristics of the Yang Qin instrumental music, the special playing skills and unique sound. Furthermore, the research will provide clear information for contemporary composers making the concertos and music for Yang Qin.
    This work will discuss the motivation and background of the concerto. The original concept of composition and performance skills will be presented by interview with the composers and the first night performers. In addition, the emphasis of playing Yang Qin concertos will be summarized by the analysis and interpretation these concertos. Finally, the author will propose innovative comment and the interpretations techniques for the two concertos.
    Appears in Collections:[Department of Music ] Thesis

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