| 摘要: | 作曲家李濱揚於2013年創作的二胡作品《塞上弦鳴》，以唐代詩人杜甫的敘事詩《兵車行》作為創作依託，創作樂思則以西北民歌《三十里鋪》為主要動機素材貫穿全曲。在歷時近十年後，《塞上弦鳴》再次受到臺北市立國樂團委託，為「2023臺北市民族器樂大賽」重新編配為二胡與鋼琴演奏版，亦為本論文研究探討之版本。
《塞上弦鳴》以戰爭為題材，體現出作曲家對於民族、社會、人文的深刻關懷，並將其理念、語法延伸至作品中。本研究主要以訪談法深入理解作曲家生命歷程、背景與作品之創作理念，並在樂曲結構分析中梳理作品素材與動機的運用，統整資料後作彙整，藉以提供筆者在演奏詮釋上具有脈絡化的闡述，來表述作曲家創作風格之獨特性。
"Sound of Strings from the Frontier" composed by Bin-Yang Li in 2013, is an erhu piece inspired by Du Fu’s Tang Dynasty poem Bing Che Xing and the Northwest folk song San Shi Li Pu, which serves as its main thematic material. Nearly a decade later, the piece was re-commissioned by the Taipei Chinese Orchestra for the 2023 Taipei National Traditional Music Competition and re-arranged for erhu and piano—this version is the focus of the current study.
Centered on the theme of war, the piece reflects the composer’s concerns for ethnicity, society, and humanity. This study explores Bin-Yang Li’s creative philosophy through interviews and analyzes the structure, musical materials, and motifs of the piece. The research aims to provide a contextual interpretation for performance and highlight Li’s distinctive style. |
