貝多芬《致遠方的愛人》聯篇歌曲之分析與詮釋研究

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Title:	貝多芬《致遠方的愛人》聯篇歌曲之分析與詮釋研究 An Analysis and Interpretation of the Linked Songs of "To the Lover in the Distance" from L. van. Beethoven’s “An die ferne Geliebte”
Authors:	吳翰 WU, HAN
Contributors:	音樂學系
Keywords:	貝多芬 Beethoven
Date:	2025
Issue Date:	2025-03-14 14:03:49 (UTC+8)
Abstract:	貝多芬作為一位古典時期橫跨浪漫時期的重要橋樑，在器樂與鋼琴方面是潮流的引領者，也貢獻許多著名作品如：交響曲、鋼琴奏鳴曲、弦樂四重奏。而聲樂曲較少被人們討論，筆者所研究的作品《致遠方的愛人》為第一部聯篇歌曲，也是德國藝術歌曲與聯篇歌曲的奠基石。這組作品完成於1816年，共有六首歌曲，內容以男性的角度來傾訴對遠方愛人的思念與感懷，雖然詩詞內容並不連貫，但經過貝多芬譜曲後賦予了它們統一的主題。本篇論文共有五章，第一章為緒論，包含研究動機與目的和研究範圍與方法。第二章為貝多芬《致遠方的愛人》作品概述，將介紹聯篇歌曲、貝多芬愛情及書信集、《致遠方的愛人》創作背景、第三章詩人雅特勒斯簡介。第四章為詩詞與語韻分析。第五章為樂曲分析與演唱詮釋，將進行六首歌曲之曲目分析與詮釋。第六章為本篇論文之結論。 As an important bridge between the classical period and the romantic period, Beethoven was a trend-setter in instrumental music and piano and contributed many famous works, such as symphonies, piano sonatas, and string quartets. However, the vocal music has been relatively rarely discussed. Therefore, the researcher of this current study focuses on the work "To My Lover in the Distance," which is not only the first serial song but also the cornerstone of German art songs and Cycle Songs. This set of works was completed in 1816. There are six songs in total. The content expresses the yearning and feelings for the distant lover from a male perspective. Although the content of the poems is not coherent, they are given a unified theme after Beethoven composed the music. There are five chapters in this thesis. The first chapter is the introduction, which includes the research motivation and purpose as well as the research scope and method. The second chapter provides an overview of Beethoven's "To the Beloved from Afar," which introduces the Cycle Song, Beethoven's love, the letter collection, and the creation background of "To the Beloved from Afar." The third chapter is a brief introduction to the poet jeitteles. It also gives an analysis of poetry and rhyme. The fourth chapter is musuc analysis and singing interpretation, which analyzes and interprets the six songs. Finally, the conclusion is made in the fifth chapter of this thesis.
Appears in Collections:	[音樂學系所] 專書

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