約翰尼斯．布拉姆斯《A大調第二號小提琴奏鳴曲，作品100》之樂曲分析與演奏詮釋

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Title:	約翰尼斯．布拉姆斯《A大調第二號小提琴奏鳴曲，作品100》之樂曲分析與演奏詮釋 An Analysis and Interpretation of Johannes Brahms’ s Violin Sonata No. 2 in A Major, Op. 100
Authors:	高祥鈞 KAO, HSIANG-CHUN
Contributors:	音樂學系
Keywords:	布拉姆斯小提琴奏鳴曲 Brahms Violin sonata
Date:	2025
Issue Date:	2025-03-14 13:05:13 (UTC+8)
Abstract:	布拉姆斯（Johannes Brahms, 1833-1897）在西洋音樂史中的浪漫主義時期是一位重要的作曲家。他的作曲手法繼承了古典主義的對位跟曲式結構，曲中又帶有鮮明的個人特色，筆者欲藉由此小提琴奏鳴曲來研究布拉姆斯創作手法的特別之處。本論文將以五個章節來探討布拉姆斯的第二號小提琴奏鳴曲，第一章節為緒論，包括研究動機與研究方法。第二章節為布拉姆斯的創作背景與創作風格及此首奏鳴曲的創作風格。第三章節為此首奏鳴曲的樂曲分析，以樂曲架構、動機、和聲…等來更加深入了解此首作品。第四章節為本樂曲的演奏技巧與演奏方法分析。最後一個章節為結論，針對本研究內容所做出的整合與總結。 Johannes Brahms (1833-1897) was an important composer in the Romantic period of Western music history. While his compositional techniques inherit the counterpoint and formal structures of classicism, they also bear distinctive personal characteristics. This paper aims to explore Brahms' unique approach to composition through an in-depth analysis of one of his violin sonatas. This thesis will be divided into five chapters, focusing on Brahms' Violin Sonata No. 2. The first chapter serves as an introduction, outlining the research motivation and methodology. The second chapter delves into Brahms' background and stylistic characteristics, along with an exploration of the creative style exhibited in this particular sonata. The third chapter provides a musical analysis of the sonata, examining its structure, motifs, harmony, and more to gain a deeper understanding of this work. The fourth chapter analyzes the performance techniques and methods employed in interpreting this piece. The final chapter concludes the study by integrating and summarizing the content explored throughout this research.
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