郝維亞笛子與民族管弦樂隊協奏曲 《陌上花開》之樂曲分析與詮釋

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题名:	郝維亞笛子與民族管弦樂隊協奏曲《陌上花開》之樂曲分析與詮釋 Interpretation and Analysis of Hao Weiya’s Flowers Blooming on Field Paths for Dizi and Chinese Orchestra
作者:	趙伯祥 CHAO, PO-HSIANG
贡献者:	中國音樂學系
关键词:	郝維亞戴亞民族管弦樂隊協奏曲陌上花開竹笛 Hao Wei-Ya Dai Ya Chinese Orchestra Concerto Blooming on Field Paths Bamboo Flute
日期:	2024
上传时间:	2025-02-24 13:01:41 (UTC+8)
摘要:	本文以中國作曲家郝維亞所創作的笛子與民族管弦樂隊協奏曲《陌上花開》為例，旨在探討其創作歷程、作品特色、樂曲分析及詮釋方式。該曲於2009年由中國著名竹笛演奏家戴亞委託郝維亞創作。樂曲名稱取自宋人筆記所提：「陌上花開，可緩緩歸矣。」筆者據此透過文獻回顧，探討其歷史傳說及文學作品中的流傳，作為對《陌上花開》曲意及詮釋方面的參考。全曲為單樂章協奏曲，共分兩大部分。第一部分以G調低音大笛的悠長氣息和歌唱性旋律為主；第二部分運用E調梆笛展現富動感的機動化節奏音型為特色。筆者將透過文獻整理和影音回顧，觀察當今演奏家對此曲的演奏，以豐富筆者在演奏實踐中的參考和詮釋思路。本論文旨在深入探討《陌上花開》的樂曲分析及詮釋，詳述筆者在演奏實踐上的詮釋方式，同時加入個人見解，深入剖析樂曲中的演奏技巧及詮釋方式，以期為有意演奏《陌上花開》的笛樂愛好者提供參考。 This article takes the concerto Flowers Blooming on Field Paths for Dizi and Chinese Orchestra, composed by Chinese composer Hao Wei-Ya, as an example, aiming to explore its creative process, characteristics, musical analysis, and interpretation methods. The concerto was commissioned by the renowned Chinese bamboo flute performer Dai Ya in 2009. The title of the piece is derived from a note in Song Dynasty literature: "Flowers blooming on field path, it's time to return slowly." Based on this, the author conducts a literature review to investigate its historical legends and the transmission in literary works, as a reference for the interpretation of the concerto Blooming on Field Paths. The entire piece is a single-movement concerto, divided into two main parts. The first part features the deep breath and lyrical melodies of the bass dizi in G. The second part utilizes the dizi in E to showcase dynamic and rhythmic motifs. Through a literature review and audiovisual analysis, the author examines how contemporary performers approach this piece, enhancing their own performance practice and expressive understanding. This thesis aims to delve into the musical analysis and exploration of Blooming on Field Paths, presenting the author's methods for performance and incorporating personal insights. It provides a comprehensive examination of the techniques and stylistic approaches within the music, offering valuable references for dizi enthusiasts interested in performing Blooming on Field Paths.
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