本論文以法國女性作曲家梅爾・玻妮斯(Mel Bonis,1858-1937年)創作的《給長笛與鋼琴的奏鳴曲》(Sonate pour Flûte et Piano)為研究主題,共分為五個章節進行研究:第一章節為緒論,講述研究動機與目的、研究範圍與研究方法;第二章節介紹作曲家生平以及樂曲創作背景;第三章節為樂曲分析,以瞭解長笛與鋼琴同等交互對話及和聲色彩變化的發展過程;第四章節為樂曲演奏詮釋探討;第五章節為結論,綜合研究探討,將此曲的樂曲分析收穫與演奏詮釋體悟做匯整與總結分享。
This dissertation is divided into five chapters, focused on the Sonata pour Flûte et Piano by the French female composer Mel Bonis (1858-1937).The first chapter is an introduction, describing the motivation and purpose, research scope and research methods. The second chapter presents to the composer's life and the background of the sonata. The third chapter analysis the piece to understand the development process of the flute and piano in terms of interactive dialogue and harmonic color changes. The fourth chapter discusses on the performance interpretation of the piece, and the fifth chapter is a conclusion. The present research wishes to provide an useful document for the researchers and performers in the future.