布拉姆斯兩首《狂想曲》作品七十九之樂曲 分析與演奏詮釋

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Title:	布拉姆斯兩首《狂想曲》作品七十九之樂曲分析與演奏詮釋 An Analysis and Interpretation of Johannes Brahms’ Two Rhapsodies, Opus 79
Authors:	李懿修 LI, YI-XIU
Contributors:	音樂學系
Keywords:	布拉姆斯狂想曲 Johannes Brahms Rhapsodie
Date:	2024
Issue Date:	2024-12-09 13:16:40 (UTC+8)
Abstract:	布拉姆斯(Johannes Brahms, 1833-1897)，是德國浪漫時期最具代表性的音樂家之一，他的作品架構深具古典樂派的精髓。本論文將會探討布拉姆斯作品七十九的兩首《狂想曲》，其中會針對這兩首樂曲的創作背景、作曲技法、旋律、和聲、節奏、曲式架構等來做分析並整理出合適的演奏詮釋。本論文共分為四章，第一章為緒論，會探討研究目的與動機、研究範圍、研究方法與步驟、研究流程。第二章會探討布拉姆斯的鋼琴作品分期與兩首《狂想曲》作品七十九的創作背景簡介。第三章會探討這兩首作品的架構、曲式分析、所使用的音樂元素及歸納研究結果而提出的詮釋建議。第四章為整體研究的結論。 Johannes Brahms (1833-1897) was a German musician of the Romantic era, yet his compositions are deeply rooted in the essence of classical music. This thesis aims to explore Brahms' two Rhapsodies Op.79, analyzing aspects such as their historical context, compositional techniques, melodies, harmonies, rhythms, and structural forms, and to provide appropriate performance interpretations. The thesis is divided into four chapters. The first chapter serves as an introduction, discussing the research objectives, motivations, scope, methods, steps, and processes. The second chapter provides an overview of Brahms' two Rhapsodies Op.79, including insights into the historical context in which these two Rhapsodies Op.79 were composed. The third chapter digs into the structure of these pieces, offering a musical analysis of their elements and suggesting interpretations for performance. The fourth and final chapter is the conclusion, which synthesizes the analysis and distinctive features of these two compositions to propose more suitable interpretations.
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