「入古出新」－顧玉珍水墨創作論述

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Title:	「入古出新」－顧玉珍水墨創作論述 Entering the past and bring out the new: A Narrative Analysis on Ku Yuk Chun’s Creative Chinese Landscape Ink Paintings
Authors:	顧玉珍
Contributors:	美術學系
Keywords:	入古出新意境虛實相生文人畫現代水墨畫 Entering the past and bring out the new artistic conception coexistence of the abstract and the concrete literati painting modern ink painting
Date:	2024
Issue Date:	2024-07-16 14:25:38 (UTC+8)
Abstract:	水墨畫的表現格調高下主要在於意境而非形式，本文嘗試從傳統入手結合新世代的技法呈現嶄新風貌，論述筆者山水及人文創作，以「入古出新」作品風格，呈現出「新文人畫」的嶄新風貌。　　所謂「入古出新」是結合中國傳統繪畫理論和技法，揉合現代元素，創造出既有中國傳統味道又有現代性的作品，表達個人風格和獨特視角，充分發揮筆者的心性和創造力。　　本文的研究方法，以文獻探討及理論研究相結合為主。古代水墨山水創作的理論基礎離不開中國哲學思想的影響。在繪畫史的發展上，水墨畫創作自古代名家輩出，衍生出豐富多元的水墨山水創作理論，乃致近現代創作受東、西方文化影響，產生不同的創作特色與風格。　　筆者畫作風格跟從傳統入手，結合新世代表現技法，綜合表達出個人的宗教思想、人生哲學、道德品格、學問經歷、性格表現、思考方向、審美內涵等等，通過不同的「實地寫生」以及「心象生發」，創作出激情和豐富的個人語彙，追求邁向「人畫相彰，大化無痕」的境界。　　本文嘗試以近年來在土生土長的香港所發生之社會運動及新冠疫情的影響下，所呈現出的社會經濟情況及風土民情為創作主軸，通過觀察分析內心的洞察感觸，以畫作反映出時代的脈絡及風情，抒發對當今世代的思想體悟和感情流露！ The main focus of the expression in ink painting lies in the mood rather than the form. This paper attempts to combine traditional techniques with those of the new generation to present a fresh outlook, particularly discussing the style of the author's landscape and cultural creations under the theme of "entering the past and bring out the new", showcasing the novel appearance of "new literati painting." 　　The concept of "entering the past and bring out the new" involves integrating traditional Chinese painting theories and techniques with modern elements to create works that possess both the traditional Chinese flavor and modernity. This approach allows for the expression of personal style and unique perspectives, fully unleashing the author's personality and creativity. 　　The research methodology of this paper primarily combines literature review and theoretical research. The theoretical foundation of ancient ink landscape painting cannot be separated from the influence of Chinese philosophical thought. Throughout the history of painting, ink painting has seen numerous masterpieces, leading to the development of rich and diverse theories of ink landscape creation. Furthermore, contemporary creations are influenced by both Eastern and Western cultures, resulting in different artistic characteristics and styles. 　　The author's painting style starts with tradition but incorporates new-generation techniques, comprehensively expressing personal religious beliefs, life philosophies, moral character, academic experiences, personality traits, thought directions, aesthetic connotations, etc. Through various "fied sketching" and "imaginative creation", the author creates works with passionate and rich personal vocabularies, striving for the realm of "harmony between man and nature, leaving no trace." 　　Thesis attempts to make the social and economic conditions and cultural atmosphere of Hong Kong, shaped by recent social movements and the COVID-19 pandemic, the central theme of my work. By observing and analyzing inner insights, the paintings reflect the context and sentiments of the times, expressing the author's understanding of contemporary society and emotional experiences of today’s generation!
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