本文所探討的主題為作曲家權吉浩—琵琶協奏曲《京劇印象》。此曲創作於2005年，獲得台北市立國樂團所舉辦的第四屆民族音樂創作獎第二名，並由王乙曲擔任首演。
京劇音樂是傳統音樂中重要的樂種，近年來越來越多作曲家將京劇音樂以及素材融入在樂曲創作當中，而京劇音樂對於韻味的展現以及音色的表達是極為要求的，而琵琶在中國樂器中的音色表現是具有眾多前瞻性，權吉浩將自己對於京劇的印象整理過後，透過琵琶獨特且豐富技法及音色來展現。
本論文筆者將以權吉浩的《京劇印象》進行研究，筆者以演奏技法與京劇音樂的融合來著筆。了解作曲家及創作背景加上作品分析與演奏詮釋加以闡述作品內的深層意義，並總結作品特徵。
This paper thesis is a study of the Pipa Concerto "Impressions of Peking Opera" by composer Quan Jihao. This concerto, created in 2005, won the second prize in the Fourth Ethnical/Chinese Music Composition Award, held by the Taipei Chinese Orchestra (TCO), and was performed by Wang YiQu in its premiere presentation.
Traditional opera music holds a significant place in Chinese traditional music, and in recent years, more and more composers have begun to incorporate features of local opera music into their compositions. The distinct musical nuances and tones in Traditional opera music is its most unique quality, and the pipa is one of the instruments that can express is spirit to the core. Composer Quan Jihao has embodied his impressions and sentiments of Peking Opera togther with his understanding of the nature of Peking opera, engaging the pipa's quitenssential and dexterous musical skills to demonstrate the essence of this concerto.
In this thesis, the author will examine Quan Jihao's "Impressions of the Peking Opera", focusing on how the pipa's playing techniques beautifully accentuate Peking opera music. This study will also provide insight on Quan Jihao.
background and musical composition history, and will conclude with an analysis and interpretation of the concerto, to provide further insight on Quan Jihao's portrayal of his music.
