| 摘要: | 本文所選探討主題為琵琶協奏曲《期待》，《期待》為中國當代作曲家劉暢所作，該曲創作於2015年，2015年5月由作曲家的同學楊婧於〈楊婧琵琶碩士音樂會〉中首演，演出地點為北京中央音樂學院；臺灣首演為廖欣恩，2018年8月30日於臺南歸仁文化中心演藝廳〈2018台南樂集年度音樂會「聽!宜夏」〉音樂會中演出；樂曲於2020年改編為琵琶與鋼琴版本，由筆者於2022年12月20日於台北國家演奏廳首演。樂曲描述對於青春年華的回憶與對未來的憧憬期待。
本論文將對《期待》這首作品進行研究，筆者以演奏技巧及指法運用做為出發點著手，內容分為探究作曲家、樂曲創作背景、作品分析與演奏詮釋四個部分。筆者希望藉由這份研究，能夠清楚地傳達出作曲家的原意，並在深入瞭解樂曲後更加完善的詮釋作品，進而培養自己對於樂曲的見解及領悟。
The topic of this thesis is the Pipa Concerto "Anticipation", composed by contemporary Chinese composer Liu Chang. The piece was composed in 2015 and premiered by the composer's classmate Yang Jing in May 2015 at the "Yang Jing's Pipa Concert for Master degree program" at the Beijing Central Conservatory of Music. On August 30, 2018, the first performance in Taiwan was given by Liao Shin En at the Tainan Guiren Cultural Center Concert Hall (2018 Tainan Music Collection Annual Concert "Listen! The Summer Elegance"). In 2020, the piece was adapted for pipa and piano and premiered by the author at the Taipei National Concert Hall on December 20, 2022. The piece portrays the memory of youth and the expectation of the future.
In this thesis of the piece "Anticipation," the author focuses on the technique and fingering performance. Also, she divided it into four parts: An exploration of the composer, the background of the piece's creation, an analysis of the piece, and a performance interpretation. Through this thesis, the author hopes to clearly convey the composer's original intent, to better interpret the piece after gaining a deeper understanding of the music, and to further develop his own insight and understanding of the piece. |
