筆者參加臺北市立國樂團舉辦的「2021臺北市民族器樂大賽─笛子比賽」，陸春齡《鷓鴣飛》為初賽的指定曲之一。練習時聆聽到趙松庭改編的《鷓鴣飛》，促使筆者探究不同版本的《鷓鴣飛》之念頭。
本文研究以趙松庭與陸春齡所改編之《鷓鴣飛》為主題，更因趙松庭與陸春齡兩位演奏兼作曲家對於笛藝都有相當大的貢獻，兩位所改編的《鷓鴣飛》數十年來有許許多多的音樂同好排練與演出，因此筆者認為此作品具有相當大的研究價值。
本文首先介紹趙松庭與陸春齡的生平背景，藉由作曲家及其作品並透過文獻蒐集，使筆者對樂曲掌握更加全面。第三章提到《萬壽無疆》與兩位老師的改編手法，以及作曲家透過作品想表達的情感。第四章為演奏詮釋，筆者以演奏者的角度，探討作品中運用的演奏技巧，及其所形成的音樂內容。筆者將在《鷓鴣飛》學習到浙派、南派音樂風格、手指靈活運用等。希望藉由本篇論文為將來有意研究、演奏《鷓鴣飛》之朋友做為參考之資料。
The author participated in the “2021 Taipei Chinese Instrumental Competition for Dizi” held by the Taipei Chinese Orchestra, where Lu Chun-Ling's performance of "Zhe Gu Fei" was one of the designated pieces for the preliminary round. While practicing for the competition, the author became aware of Zhao Song-Ting's adaptation of "Zhe Gu Fei," which prompted an exploration of the differences between various versions of the piece.
This study focuses on the adaptations of “Zhe Gu Fei” by Zhao Song-Ting and Lu Chun-Ling, both of whom have made significant contributions to the art of Dizi playing and composition. Their versions of “Zhe Gu Fei” have been rehearsed and performed by many enthusiasts for decades, making it a valuable work for research.
The thesis first introduces the backgrounds of Zhao Song-Ting and Lu Chun-Ling, providing a comprehensive understanding of the composers and their works through literature research. The third part discusses the adaptation techniques used in “Wan Shou Wu Jiang” and the emotions expressed by the composers through their work. The thesis also analyses the performance interpretation and explores the techniques used for the musical content from the perspective of the performer.
The author has learned various styles and techniques, such as the performing style in the Zhe School, finger agility, and other skills that are present in “Zhe Gu Fei.” This study would serve as a reference for those interested in studying or performing “Zhe Gu Fei” in the future.
