琵琶，有著豐富的演奏技巧及表現力，音色的多樣化讓琵琶曲在發展上有著眾多前瞻性，近年來許多臺灣作曲家嘗試為琵琶協奏曲增加曲目量。本篇論文以探討臺灣作曲家任重之琵琶協奏曲《對雪》作為主題撰寫。該作品由臺北市立國樂團於2019年委託任重所寫，並於同年11月30日《暢樂之夜》音樂會中由鄭聞欣擔任琵琶演出，郭聯昌擔綱指揮首演於台北市中山堂。本作品除了樂團伴奏以外，另有鋼琴伴奏版本，本文以探討鋼琴伴奏版本為主。樂曲中善用蘇州評彈素材做譜寫，利用琵琶在彈詞伴奏的技巧彈奏特色呈現於樂曲中，而琵琶音色的多元，使樂器能夠奏出如鑼鼓樂器的音響效果，作曲也因此將此元素加入樂曲中，使得整首樂曲表現力極為豐富。筆者透過訪談法了解作曲家音樂經歷、樂曲創作理念及素材運用，利用文獻蒐集法深入了解其中所運用的評彈及鑼鼓素材背景，再藉由樂曲分析和演奏詮釋將作曲家對於樂曲的創作理念加以探究。
Pipa ,with rich playing techniques and expressive power. The diversity of its tone allows for innovative development of pipa music. In recent years, many Taiwanese composers have attempted to increase the repertoire of pipa concertos.
This paper is written to explore the Taiwanese composer Jen Chung's pipa concerto "Face to the snow" as the main topic.
The work was commissioned by the Taipei Chinese Orchestra in 2019, and Zhong Ren was commissioned to write it. On November 30th of the same year, Cheng Wenhsin performed the pipa in the "Night of Joy" concert, and Guo Lianchang conducted the first performance at the Zhongshan Hall in Taipei.
In addition to the orchestral accompaniment, this piece also has a piano accompaniment version. This paper focuses on exploring the piano accompaniment.
In the music, Suzhou Pingtan material is used to make good use of music, and the characteristics of pipa in Tanci accompaniment are presented in the music. The variety of pipa timbres enables the instrument to play sound effects like gongs and drums. Therefore, this element is added to the composition In the music, the expressiveness of the whole music is extremely rich.
The author used the interview method to understand the composer's musical background, creative ideas, and material application in the music.By using the method of document collection, the author gained a deep understanding of the background of the Suzhou Pingtan and gong and drum materials used in the piece. Through musical analysis and interpretation, the author explores the composer's creative ideas for the piece.
