關迺忠《蝴蝶夢》之樂曲分析與演奏詮釋

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Title:	關迺忠《蝴蝶夢》之樂曲分析與演奏詮釋 A Study Of The Music Analysis And Performance Interpretation Of Naizhong Guan “Butterfly Dreams”
Authors:	齊山行
Contributors:	中國音樂學系
Keywords:	蝴蝶夢竹笛指法應用 Butterfly Dreams bamboo flute finger techniques
Date:	2023
Issue Date:	2024-02-29 12:00:20 (UTC+8)
Abstract:	本文以關迺忠（1939～）在1988年創作的作品《蝴蝶夢》來做為研究的主題，此作品最初是由鄭濟民用改良十孔笛首演，2008年由著名笛簫演奏家張維良在中國音樂學院紀念改革開放三十年–民族音樂成果展演音樂會上用傳統六孔笛重新的演繹了這首作品。二十年代時，上海的大同樂會首倡樂器改良，將一些國樂器十二平均律化，單鍵、單管、單調的樂器，如古箏、簫笛、揚琴、雲鑼、笙隨著音域被擴充，轉調功能擴大後，現在也都改用十二平均律了，導致近年來，使用十二平均律來創作的手法及思維被越來越多的作曲家用於國樂的曲目創作上，而這些演奏技術含量高的作品也備受許多演奏者及欣賞者喜愛並逐漸成為國樂作曲形制上的一種趨勢。本文將透過《蝴蝶夢》的作者生平、創作背景、笛子的指法應用，探討其創作思維與音樂內涵，從不同的層面及角度加以分析，讓筆者能夠更廣泛的去思索現代曲目的演奏手法及風格。 This article is focused on the research topic of the work "Butterfly Dreams" created by Guan Nai Zhong (1939~) in 1988.This work was originally premiered by Zheng Ji-min with a modified ten-hole flute.In 2008, famous dizi performer Zhang Weiliang reinterpreted this piece using a traditional six-hole flute at the Chinese Music Academy's commemorative concert for the 30th anniversary of reform and opening up, the National Music Achievements Exhibition. In the 1920s, the Datong Music Society in Shanghai advocated for the improvement of musical instruments, which involved equalizing some traditional Chinese instruments to the twelve-tone equal temperament system. This resulted in some instruments having a single key, single pipe, and monotonous sound. Instruments such as guzheng, xiao and dizi flutes, yangqin, yunluo, and sheng, as their range was expanded and transposition function was increased, are now all tuned in the twelve-tone equal temperament.In recent years, the use of the twelve-tone equal temperament for composition has become more and more common among Chinese music composers, with their techniques and creative ideas being applied to various genres of Chinese music. These high-level works have gained popularity among performers and audiences, and have gradually become a trend in Chinese music composition. This article will explore the life, creative background, and the application of Dizi finger techniques used by the author of "Butterfly Dream".To explore the author's creative thinking and musical content, and to analyze them from different levels and perspectives, enabling the author to think more broadly about the performance techniques and styles of modern music pieces.
Appears in Collections:	[Department of Chinese Music ] Thesis

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