探究印象派畫作「樹」元素之演化技法及形式

文化大學機構典藏 CCUR > 藝術學院 > 美術學系所 > 博碩士論文 > Item 987654321/52700

jsp.display-item.identifier=請使用永久網址來引用或連結此文件: https://irlib.pccu.edu.tw/handle/987654321/52700

题名:	探究印象派畫作「樹」元素之演化技法及形式 Research on the Developing Techniques and Forming of the Tree Element in Impressionist Paintings
作者:	張靜伊
贡献者:	美術學系
关键词:	外光派點描派後印象主義
日期:	2022
上传时间:	2023-07-06 12:54:10 (UTC+8)
摘要:	1839年攝影術誕生於法國，銀版攝影法順利地取得了專利權，傳統繪畫中精細的描繪技巧，開始面臨新的競爭趨勢與挑戰。而在攝影術誕生的同一年，法國化學家謝弗勒爾（Michel-Eugene Chevreul, 1786-1889），提出了一系列可以預測色彩對比的公式。他認為繪畫創作的主要目的是盡其所能地再現大自然；並且透過色彩的對比來描繪大自然光線的明暗效果。時至1860年代，印象派畫家們開始將此色彩理論應用在實際的繪畫創作上，發現物體本身並沒有永久、固定的顏色，而是隨著物體所在的位置與時間，來變化出不同的色彩。因此，印象派畫家們主張走出戶外現塲寫生，在陽光下描繪景物所呈現的光線與色澤，故印象派又被命名為「外光派」（Pleinairism）。　　針對大自然中瞬息萬變的光影變化景象，印象派畫家們發展出對事物本質的主觀支配力，於是，印象派時期深受傳統學院派影響的畫家秀拉（Georges Seurat, 1859-1891），他除了掌握住印象派畫家的光影繪畫特色之外，更以近乎科學式的微粒描繪筆法，來重新組合出栩栩如生的畫面，並開闢出另一個繪畫創作的新領域，爾後，被稱之為「點描派」（Pointillism）。至於後印象主義（Post-impressionism）的畫家們，在印象派畫風行之有年後，漸漸地不滿於印象派只追求光與色的固有畫法，轉而關注精神層面內在世界的探索，要求在畫面上直接地反應出畫家的心靈與感官方面之強烈觸動；在眾多畫家中，梵谷（Van Gogh, 1853-1890）的畫作可說是最為經典，他用鮮明的色彩及火燄般的筆法，充分地表現出自己深受生活折磨的精神狀態。 Photography was made its debut in France in 1839, and the silver plate photography method was patented successfully. The exquisite depiction skills in the traditional painting began to face new trends of competitions and challenges. In the same year, as the first appearance of photography, the French chemist (Michel Eugène Chevreul, 1786-1889) proposed a series of formulas which could predict color contrast. He believed that the main purpose of painting creation was to present nature itself again as much as possible, and to depict the light and dark effects of natural light through color contrast. By the 1860s, Impressionist painters started to apply this color theory to actual painting creation, and found that the object itself did not have a permanent and fixed color, but changed different colors according to the position and time of the object. Consequently, Impressionist painters advocated getting outside to sketch and depict the light and colors of the scenery in the sun, and therefore Impressionism was also named (Pleinairism). 　　In response to the scene of light and shadow which changed rapidly at every moment in nature, Impressionist painters developed subjective dominance over the essence of things. As a result, (Georges Seurat 1859-1891), who was deeply influenced by the traditional academic school during the Impressionist period, not only mastered the characteristics of light and shadow of Impressionist painters, but also used the almost scientific particle depiction brushwork to combine the lifelike pictures and open another new field of painting creation. Later, it was known as (Pointillism). As for the painters of (Post-impressionism), after Impressionism in power for many years, became gradually dissatisfied with the inherent painting method of Impressionism, which pursued light and colors only. Instead, they paid attention to the exploration of the inner spiritual world; they demanded that the strong feelings and senses from themselves should be reflected directly on the paintings. Among so many painters, (Van Gogh, 1853-1890) paintings were the most classic. With bright colors and fire-like brushwork, he fully showed his mental state which has been tortured by life.
显示于类别:	[美術學系所] 博碩士論文

文件中的档案:

档案	描述	大小	格式	浏览次数
index.html		0Kb	HTML	161	检视/开启

检视Licence

在CCUR中所有的数据项都受到原著作权保护.

数据加载中.....