《浪子回頭》—楊孝慈專輯創作理念與編曲技法分析

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題名:	《浪子回頭》—楊孝慈專輯創作理念與編曲技法分析 Album ‘‘The Prodigal Son’’: The Creative Concepts and Analysis of Xiaoci Yang’s Composition
作者:	楊孝慈
貢獻者:	音樂學系
關鍵詞:	楊孝慈浪子回頭我的心全部予祢細漢時拵我思念祢阮的阿爸予祢來挽回
日期:	2022
上傳時間:	2023-07-05 15:07:31 (UTC+8)
摘要:	筆者自幼成長於教會環境中，一直期盼能夠更多的鑽研在廣義的教會音樂領域，特別是當代福音音樂的詞曲創作及製作，因而考入商業音樂研究所就讀。幾十年的創作、團練、錄音、製作經驗積累，時常感覺到，較為廣泛被傳唱的當代福音敬拜讚美歌曲幾乎都使用英語及中文作為歌詞，因而長老教會背景的年輕人、甚或是長者，能夠選擇的台語敬拜讚美詩歌，雖然不是完全沒有，但是實在屈指可數、少之又少。因此，禮拜程序全程使用台語的長老教會，時常不得不在敬拜讚美這個環節，使用華語來帶領會眾吟唱，使得禮拜儀式當中顯得有些不順暢。筆者看見這個迫切的需要，創作了一個系列的六首歌曲，其中的風格和排序是依照筆者自身的實務經驗，可以直接使用於一個完整的禮拜程序，提供現階段教會所需。同時，也是拋磚引玉，吸引更多人一同創作台語敬拜讚美的原創歌詞及歌曲。本篇論文將分為四個章節，第一章為緒論，其中包含研究動機、方法及步驟，在此章內容中，將論述筆者對『浪子回頭』這張專輯的創作過程。第二章為本專輯歌詞內容及歌曲創作理念概述，包含創作理念、歌詞意涵。第三章為『浪子回頭』這張專輯的樂曲分析及編曲手法探討，並詳細記錄作曲手法與製作歷程。第四章為結語，歸納出上述章節所記錄的研究。 Over the past decades, Contemporary Christian Music became a popular way to ease into making church music for congregation. Because the author planned to learn more about this field, especially in music production of Contemporary Christian Music. Through the experiences from the services at the churches, the music released these days, and the experiences from songwriting, recording, editing, mixing and also mastering. After 25 years of experience, the author has qualified to produce an original new album for the people who need it. At the same time, the author has found, Presbyterian Churches usually cannot worship Contemporary Christian Music, only because the lyrics of Contemporary Christian Music are in English or Chinese Mandarin. We can not only translate the lyrics from the original languages into Taiwanese directly. Because the melody, and also the music notes, will be changed at the same time. Here the author made an album for all the churches who speak the beautiful Taiwanese language. With her extensive experience, this whole new album will be used easily in Sunday Services in keeping with Presbyterian tradition. This essay is including four chapters, the first chapter is the introduction, including research motivation, methods and composing steps. The second chapter will be the composing and arranging processes of the album "The Prodigal Son". An overview of the lyrical content and writing philosophy of this album, including the writing philosophy and lyric idea. The third chapter of is an arrangement conclusion. Which records a detailed record of the composition and creation process. Conclusions summarize the above studies.
顯示於類別:	[音樂學系所] 博碩士論文

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