論後立體派舞蹈繪畫的形式及表現技法

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Title:	論後立體派舞蹈繪畫的形式及表現技法 The Dance paintings' Form & Expression Technique of "Post Cubism"
Authors:	黃宏茂
Contributors:	藝術研究所美術組碩士在職專班
Keywords:	舞蹈繪畫、後立體派
Date:	2007
Issue Date:	2023-07-03 15:28:44 (UTC+8)
Abstract:	繪畫藝術之所以感動人心，和它出自於那個年代，那個地點，並沒有絕對的關係！反而是畫作本身所蘊藏的情感，如能讓人產生共鳴，觀賞者心情就會隨著作品的張力，時而澎湃激動，時而喜悅平靜；而律動感十足的舞蹈繪畫，就是最容易引起共鳴的！所以筆者就以舞蹈繪畫為主題，論述「後立體畫派」舞蹈畫的形式，以及與其他畫派之比較。　2000 年，台灣成立了第一個嶄新的台灣本土畫派 ──「後立體畫派」，它綜合西洋的前縮透視法、幾何透視法、平行透視法、空間處理法、矛盾透視法、散點透視法、立體派透視法、鳥瞰式二次元平面透視法、未來派物象移動空間處理法、中國古典繪畫的散點法和堆砌透視法；舞蹈繪畫至此才有了更完善、更完美的理論基礎！從此舞蹈繪畫可運「後立體派」的形式及表現技法，呈現出多元、充實、豐富的畫面，繼而提升了舞蹈繪畫藝術的層次。　在自我創作歷程上，筆者採用「後立體派」的「舞蹈繪畫」題材出發，藉由對各式各樣舞蹈的觀察與描繪，將自我情感投射於畫作中，並且進一步地喚醒自我潛藏的生命力。 An art work does not need to comefrom a certain time period or place in order to touch people's hearts; it is the passions embedded in the art work that have the ability to affect our emotions and allows us to resonate with what the artist is trying to convey. Of all the different art pieces, dance paintings can most successfully arouse resonance in people's hearts.　　　In the year 2000, Taiwan established a new painting style "Post Cubism." This new painting style combines various Western drawing methods, including foreshortening perspective method, geometric perspective method, parallel perspective method, space management method, contradictory perspective method, disperse perspective method, cubism perspective method, two dimentional aerial perspective method, futurism space management method, and the clasical Chinese disperse perspective method. Since the establishment of "Post Cubism," dance paintings gained a more complete and firm theory as foundation and were able to present more substantial and copious pictures. In my journey of artistic creation, I applied Post Cubism to my dance paintings. Through my precise obsevation of dancers, I reflected my own emotions in the drawings and tried to awaken the hidden vitality.
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