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    請使用永久網址來引用或連結此文件: https://irlib.pccu.edu.tw/handle/987654321/52504


    題名: 論音樂著作權利保護範圍及侵權之研究
    A Study on the Range of Music Copyright Protection and Its Infringement
    作者: 鄭嘉文
    貢獻者: 法律學系
    關鍵詞: 著作權法
    音樂著作
    美國音樂現代化法案
    數位利用
    授權機制
    Copyright
    Music Works
    Music Modernization Act
    Digital Utilization
    Authorization Mechanism
    日期: 2021
    上傳時間: 2023-06-13 15:08:58 (UTC+8)
    摘要: 音樂的利用隨著科技發展出現了多樣的發展,而著作權對於音樂著作的保護管理及規範更應時時隨著產業的環境進行適度的修正、與時俱進,方能讓法律的規範更適用於產業的現況。

    本文探討近年來科技發展下數位音樂之流通及利用態樣。從國際著作權公約關於音樂著作之規範內容進行介紹,進一步介紹美國音樂著作權利保護及管理,其中包含美國著作權集體管理團體之運作、以及音樂現代化法案(MMA)之內涵。本文亦針對我國音樂著作之相關規範進行介紹,並分析科技發展下音樂之新型態利用模式,包含音樂數位化之創作態樣、數位音樂平台之傳輸、社群平台對於音樂表演之利用模式…等,並針對相關侵權案例進行探討。

    音樂著作在網路之普及下產生了更多元之利用態樣,以今時今日之科技發展,應檢視現行之著作權法之管理機制是否符合數位音樂利用之產業現況,並針對產業利益及責任分配間之平衡提出相關建議,以完善音樂著作之權利保護及管理。
    As the utilization of music has evolved with the development of science and technology, the management and regulation of copyright protection of music works should be appropriately revised and updated based on the industrial environment, to make the legal regulation more suitable to the current situation of the industry.

    The author explores the circulation and utilization of digital music under the development of science and technology in recent years. Additionally, the author introduces the normative contents of international copyright conventions on music works, and the protection and management of music copyright rights in the United States, including the operation of American copyright collective management groups and the connotation of the Music Modernization Act (MMA). Furthermore, the author elaborates the relevant regulations on music works in Taiwan, and analyzes the new utilization modes of music under the development of science and technology, including the digital creation of music, the transmission of digital music platforms, and the utilization of music performances by social platforms, and discusses the relevant infringement cases.

    Due to the popularity of the Internet, it has generated more diversified utilization patterns of music works. With the scientific and technological development, we should examine whether the management mechanism of the current Copyright Act is in line with the current industry status for digital music utilization, and put forward relevant suggestions for the balance between industrial interests and responsibility distribution, so as to optimize the protection and management of music works.
    顯示於類別:[法律學系暨法律學研究所] 博碩士論文

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