由於長時間以來筆者對於色彩的喜好和不間斷的摸索，因此對於色彩方面的探討，有著強烈的研究動機。此次參究了西洋美術史中印象派莫內和野獸派馬諦斯的表現風格和用色理論，架構出本次以「非物理性色彩」為主的創作議題，並以「物理性色彩」為其對照解析，深入探討物理性色彩和非物理性色彩之間的表現關係與互動，其中藉由畫派中的代表人物，以及不同畫派之各家表現風格與色彩特色，來佐證其創作學理基礎。在創作過程中除加入美學為色彩搭配的準則，也以非物理性色彩來創作並強化擬人化手法的新時代意義；在擬人化手法這個部份使用了世紀畫家梵谷的「鞋子」系列來說明，是一強而有力的驗證。在非物理性色彩創作中，也以自己週遭所發生的故事為題材，用色彩變化為創作重心，並取材自風景、人物、動物、靜物等等作適當的異色處理，在創作研究中無論是色彩的運用或者是色彩的搭配和畫面中刻意佈局的色彩，都是屬於獨創的特質，讓人有無限的想像空間，是一次色彩旅行的故事，也是一個生動有趣的研究。
The author has always had a passion for exploring the intricate properties of color. This strong interest in understanding color has motivated this analytical study. The composition theme of “Non-Physical Colors” was inspired by an in-depth examination of the stylistic expression and color utilization theories of prominent artists in Western art history such as Impressionist artist Claude Monet and Fauvist artist Henri Matisse. This study uses the properties of color to contrast and understand the complex expression and interaction between physical colors and non-physical colors. The author’s composition incorporates key theoretical foundation, stylistic elements and color properties from artists that are representative of their respective art movement. Throughout the author’s compositional process, non-physical colors were used to reinforce aesthetical principles and color pairing. Paying homage to anthropomorphic techniques exemplified by Vincent Van Gogh’s “The Shoes” collection, the author sought to similarly employ personification techniques to express elements from contemporary new age art movements. The author used color transformation to transport subjects, locations and objects from the author’s surroundings into her non-physical color compositions. The compositions resulting from deliberate color pairing and chromatic placement are original journeys on the unbounded expanses of imagination.
