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    請使用永久網址來引用或連結此文件: https://irlib.pccu.edu.tw/handle/987654321/51610


    題名: 印象派畫作的色彩運用法則與表現技法研究
    Research on Color Application Rules and Expression Techniques of Impressionist Paintings
    作者: 沈秀貞
    貢獻者: 美術學系
    關鍵詞: 印象派
    新印象派
    後印象派
    保羅塞尚
    色彩的運用法則
    色彩的表現技法
    Impressionism
    Neo-Impressionism
    Post-Impressionism
    Paul Cezanne
    method of color application
    technique of color expressio
    日期: 2022
    上傳時間: 2023-03-15 14:52:36 (UTC+8)
    摘要: 色彩是繪畫創作最直接具表現力的要素之一。色彩不僅是畫作的靈魂;亦是繪畫的魅力所在,是藝術家創作的重要表徵語言。藝術家的情感藉由豐富的色彩運用和表現技法,來呈現其特有的畫作效果。在油畫創作領域裡,色彩所產生的感情力量,是最具有獨特的審美價值。針對此保羅•塞尚(Paul Cézanne, 1839年-1906年),曾經說過:「只有色彩是真實的…它能使萬物生機勃勃。」
      本研究計畫藉由西方印象派(Impressionism)、新印象派(Neo-Impressionism)與後印象派(Post-Impressionism)藝術大師的作品、美學思想與色彩理論,油畫色彩的運用法則以及表現技法,作深入地分析與研究。寄望往後,筆者在從事油畫繪畫創作時,有更敏銳、正確的色感;以及更精湛的色彩表現;藉以抒發自我繪畫創作的情感與理念。
      筆者在繪畫創作媒材的運用上,是以油畫材質為要,並加上亞麻仁油與松節油等輔助媒材。至於繪畫創作的表現技法方面,則運用西方的色彩與線條,以寫實具象的風格,直接地以肥蓋瘦、以濕中濕畫法,來呈現個人當下內心多樣性的感受與創作情緒。至於在創作內容上,則取材於大自然的風景、產物與歷史文物、圖像…等,再藉由自然與生命的共存意象,來表現出自我內在心靈的意境與情感。

    Color is one of the most expressive elements of painting creation. Color is not only the soul of paintings, but also the charm of paintings, as well as the representative language of the artist's creation. The artist's emotions are presented with his unique painting effects by the use of rich colors and expression techniques. In the oil painting creation, the emotional power generated by color has the most unique aesthetic value. Paul Cezanne (1839-1906) once said, “Only color is real…it can make everything in the world alive.”
      This study intends to refer to the works of western masters, Impressionism, Neo-Impressionism, Post-Impressionism, aesthetic thoughts and color theory, oil painting color application principles and expression techniques to make in- depth analysis and research. I hope that in the future, the author will have keenness and correct sense of color, and more exquisite color expression, so as to express the author's emotion and concept in painting creation.
      The author's painting creation uses western oil painting materials as the main media, auxiliary media are linseed and turpentine oil. In terms of techniques, colors and lines are used as well as realistic and concrete style, directly with “start lean & finish fat”, and “wet in wetmethods”, to present the author's individual's current feelings and emotions. In terms of subject, it draws from natural scenery, historical relics, inner images,etc., by the coexistence image of nature and human life to express the mood and emotion of the inner soul of the self.
    顯示於類別:[美術學系所] 博碩士論文

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