| 摘要: | 歷史至今所知曉的政治、宗教、社會習俗、文化或藝術…等面貌與觀點，其所形成原因並非一蹴而成，而是由無數經驗的累積或各種事件融匯而成。在多元的社會中，不同的國情、民族性、宗教信仰、政治理念、貧富差距、文化習俗…等各有其不同的定位，所居角色不同而呈現出不同角度的觀念、判斷與行為方式。本論文藉由藝術語言、人文社會的研究，推證因環境、時間的變遷、人文社會價值觀與所形成的線、由前述的線所匡列成政治、宗教、社會習俗…的界之間的相關性。同時觀察在這些被框定的觀念以及界定的生活方式中，還有另一桃花源在天道中效法自然，尋求逍遙的智慧。
文論共分五章：第一章、緒論。研究動機起源及目的，研究範圍、方法與研究限制，以確定本次的研究方向。第二章、相關學理探討。此章說明本論文「界與線的對話」相關詞性與釋義，以及其延伸的意義。第三章、影響筆者的知名藝術家。介紹知名藝術家對筆者的影響。第四章、作品的分析與詮釋。解析筆者作品的創作理念、媒材選擇與表現。第五章、結論。統整本次研究成果及創作的心得，以及釐清未來藝術創作的方向與展望。
The political, religious, social custom-related, cultural or artistic status and views we knew today from history are not formed suddenly but formed by the accumulation of countless experiences or the fusion of various events. In a pluralistic society, the concepts, judgments and behaviors people have will vary from different national conditions, nationalities, religious beliefs, political ideas, wealth gaps and cultural customs since they have played different roles based on their own positioning. This paper is intended to demonstrate the correlation between the lines, formed by the change of time and circumstances and the values of humanist society, and the boundaries of politics, religion, and social customs, defined by the aforementioned line through the study of artistic language and humanist society, while discovering a breakthrough idea in thes restricted concepts and defined ways of life, that is, imitating nature in the way of heaven and seeking free and unfettered wisdom.
This paper is divided into five chapters: the first chapter, the introduction, describes the origin and purpose of motivation for research, research scope, methods and research limitations to determine the direction of this research. The second chapter, discussion of the related theories, illustrates the relevant parts of speech and interpretations of the “Dialogue between boundary and line” in this paper, as well as their extended meanings. The third chapter, the famous artists who influenced the author, introduces the influence of famous artists on the author. The fourth chapter, the analysis and interpretation of the works, analyzes the author’s creative ideas, media selection and performance. The fifth chapter, conclusion, summarizes the results of this research and the experience of creation, and clarifies the direction and prospect of future artistic creation. |
