雲‧無象‧萬象－歐陽東牧創作論述

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Title:	雲‧無象‧萬象－歐陽東牧創作論述 All and Emptiness－Analysis of Oil Painting Cloud of Tung-Mu O-Yang
Authors:	歐陽東牧
Contributors:	美術學系
Keywords:	油畫風景畫雲心經心學 Oil painting Landscape painting Cloud Heart Sutra Xin Xue
Date:	2022
Issue Date:	2023-03-07 11:12:28 (UTC+8)
Abstract:	《雲‧無象‧萬象》是筆者以雲朵為主題的油畫系列作品，無象與萬象為佛學的詞彙，萬象意指世間萬事，而無象意指萬物的本源，系列名稱大意為藉描繪雲朵的各種樣貌側寫萬物樣貌的隨機性與無常性。　　文章前半整理環境氣象學中各種雲朵的分類、型態與對應的天氣現象、探究哲學、佛學中以雲朵作為聯想的思想理論以及解析近代美術史畫家名作中雲朵的表現手法。文章後半為筆者說明本系列作的創作理念，包含三個主題的思路與個別主題的描繪重點，後進一步說明作畫步驟，舉凡取材的方式、草圖的製作流程以集最終於畫布上的繪畫步驟，後列舉三個主題的部分作品解析個別作品的發想、取景過程、詳細作圖方式以及每件作品的特色之處，最後歸納本系列作創作以及資料收集過程對未來作畫思路的影響。 The author have done series of oil painting works about cloud named: “Wu Hsiang , Wan Hsiang” roughly translate to “All and Emptiness”.“Wu Hsiang” and “Wan Hsiang” are proper noun from Buddhism,“Wan Hsiang” means everything happening, appeared in physical world and“Wu Hsiang” means the very origin idea of everything. Following article contain two main parts. First part is about organizing the meaning of cloud in different expertise. Include meteorology, philosophy and history of western fine arts. Second part focus on explaining the mean idea of this oil painting series and analyzing each artworks, such as painting skill and specialty.
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