本論文架構分成五章，共有十三節，其主要內容如下：
第一章敘述本論文的研究動機、目的、研究方法與架構，研究範圍和名詞釋義。
第二章介紹貓在文化中的寓意，包括貓的各項傳說與貓的歷史演變，文學家和藝術家們是如何傳達他們心目中的貓形象。
第三章介紹西洋和東方美術史近現代相關畫貓畫家，包括巴爾杜斯(Balthus)及日本畫家山本修(Shu Yamamoto)。
第四章進行筆者個人的作品分析，包括色鉛筆的繪畫特色，繪畫風格與理念，自我創作之思惟、內容、形式。最後第五章為創作研究總結，筆者希望藉由結合色鉛筆和寫實動物畫，展現出它的獨特性，把畫貓當作一輩子的志業，一直是筆者努力的目標。
To me, the cat is not only a source of inspiration, but also a part of my life experience . Thus, I have used the cat as the creative theme for this thesis to explore the deeper meaning of drawing from different aspects. The goal is to creat a personal creative style and context.
The thesis is divided into five chapters, a total of thirteen sections,The content of this thesis is as follows：
Chapter one describes the research motivation, purpose, research methodology and research scope , explanation of terms of this article.
Chapter two introduces the historical evolution and legend of cats, and writers and artists how to express their idea about cat’s image .
Chapter three explores representative cat related painters in Western and Eastern Arts, including Balthus and Shu Yamamoto.
Chapter four is the analysis of the author’s work and thought,content and form of self creation.
Finally, chapter five is the conclusion, I hope to use a combination of colored pencils and realistic animal drawings to demonstrate its uniqueness. Drawing cats is my life work and something that I have always worked towards.
