畫中詠詩的植物生態美學觀—李淑娟創作論述

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Title:	畫中詠詩的植物生態美學觀—李淑娟創作論述 Poetry and Botanical Eco-Aesthetics: Discourse of Lee, Shu-Chuan's Artwork
Authors:	李淑娟
Contributors:	美術學系
Keywords:	唐詩植物意象寫意畫美感 Tang poetry plants imagery freehand painting beauty
Date:	2021
Issue Date:	2023-03-02 10:35:19 (UTC+8)
Abstract:	中國美術史裡記錄了許多詩人同時也是知名畫家，在許多國畫作品中，可以發現國畫和古典文學之間並無明顯界線。尤其國畫中許多種類的植物，常因其生長之氣候、植物樣貌特徵，以及獨特的氣質，與畫家的情意跟志趣相輔相似，往往成為畫作中非常重要的題材。在許多東方詩畫作品裡，植物長久以來被賦予一種特殊的擬人化的內在意義，這種屬於中國民族特殊的人文意義，表現出中國古代文人極為重視的精神淨化和儒家強調的道德觀。植物本身除了擁有生命及具備不同的形態之外，所有被賦予的意象概念，皆來自文字的塑造，但因中國文字的表現方式廣大複雜且多元，所以筆者在《畫中詠詩的植物生態美學觀》的創作研究裡，取用中國歷代詩詞中的「詠植物詩」作為創作精神主軸，繪畫表現則以詩詞裡的植物為主角，運用詩的內涵意象導入，結合植物型態以筆者獨特的繪畫方式，改變植物在繪畫上多為外型描繪、或成為裝飾作用陪襯繪畫的配角表現。《畫中詠詩的植物生態美學觀》，成了筆者創作表達中，傳達植物植物獨立的精神層次具體表現。筆者用中國古詩詞簡練精緻、充滿想像力的體裁，來捕捉植物透過詩詞於人類心靈所引發的豐富情感，並運用繪畫創作方式，讓人們看見植物多樣化的個性美。 In the history of Chinese art, many poets are also well-known painters. In many works of Chinese painting, it can be found that there is no clear boundary between Chinese painting and classical literature. In particular, many types of plants in traditional Chinese paintings, often due to their growing climate, plant appearance characteristics, and unique temperament, are similar to the painter's affection and interest, and often become very important themes in the paintings. In many oriental poetry and painting works, plants have long been endowed with a special anthropomorphic inner meaning. This kind of special humanistic meaning belongs to the Chinese nation, which shows the spiritual purification that ancient Chinese literati attaches great importance to and the morality emphasized by Confucianism. In addition to having life and different forms of plants themselves, all the image concepts they are given come from the shaping of words. However, because of the vastness and complexity of expression of Chinese characters, the author wrote in the creation research of " Poetry and Botanical Eco-Aesthetics ", the "poems of chanting plants" in Chinese poems of past dynasties are used as the main creative spirit, and the painting performance takes the plants in the poems as the protagonists, uses the connotative image of the poems to introduce, and combines the types of plants to make The unique painting method changes the appearance of plants in painting, or becomes the supporting role of decorative painting. " Poetry and Botanical Eco-Aesthetics" has become the specific expression of the spiritual level of the independence of plants and plants in the author's creative expression. The author uses the concise and imaginative genre of ancient Chinese poems to capture the rich emotions of plants in the human mind through the poems, and uses the creative method of painting to let people see the diverse individual beauty of plants.
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