台灣粉彩畫的創作與研究，近年在各界的推動下，逐漸獲得關注。粉彩畫創作過程便捷、效果獨特，形式簡單卻能表現複雜的主題，本文即以創作粉彩畫為研究主題。在創作內容方面，筆者以描繪海洋世界為主，並借鏡竇加、康丁斯基、克利等藝術家的畫論與畫作，在創作過程中不斷嘗試各種可能，以建立筆者個人的創作風格與獨特性。
藉由分析筆者粉彩畫創作作品中所再現的海洋世界，本文試圖論述筆者的繪畫觀念與表現技法，進而思索人類與海洋生態的互動，並拓展海洋世界的各種奇異想像。首先，筆者在呈現海洋的多重自然景觀時，以寫實的表現技巧刻劃海洋生物，透過粉彩獨特的色彩與線條，並結合筆者實際的觀看經驗，描繪在水與光的流動狀態中海洋生物所呈顯的多樣性。再者，筆者也嘗試思索人類與海洋生物的接觸過程，探究人類對於海洋的不同需求與情感。此外，筆者的粉彩畫創作進一步跳脫現實與自然世界的範疇，賦予海洋世界各種奇異想像，以挖掘粉彩更多面向的色彩與線條表現技巧。總之，筆者粉彩畫中所表現的海洋世界，既有呈現出海洋自然景觀的一面，同時也表達出筆者對於海洋世界的人文關懷與奇異想像。
The creation and academic study of pastel paintings in Taiwan has gradually gained more attention recently. Although the creation process of pastel painting is rather convenient and simple, its effect is unique and expressive. This article takes the author’s own pastel paintings that focus on depicting the sea world as the research subject. By mirroring the theories and works of artists such as Degas, Kandinsky, Klee, the author tries various possibilities to establish the author's personal creative style and uniqueness.
By analyzing representation of the sea world in the author’s pastel paintings, this article attempts to discuss the author’s painting concepts and expression techniques, to think about the interaction between human beings and marine ecology, and to explore various imaginations of the sea world. First of all, the author depicts the diversity of marine life in a realistic way to represent the multiple natural sceneries of the sea. Second, the author also tries to think about the process of contact between humans and marine life, and explores the different needs and emotions of humans towards the sea. Finally, the author’s pastel paintings further diverge from the realm of reality, and add bizarre imaginations to the sea world, so as to explore more skills for color and line expression of pastels. In short, the sea world in the author's pastel paintings not only presents the natural sceneries, but also expresses the author's humanistic care and bizarre imagination.
