普羅科菲夫（Sergey Prokofiev, 1891- 1953），一位極有個人思想中心的俄國作曲家。身處在十九世紀末至二十世紀初的他剛好遇上當時政府的各種限制，導致他沒辦法隨心所欲地作曲。雖然在創作理念上被要求以簡單明瞭為主，但有些屬於他個人特色的作曲手法依舊被保留下來。此曲《C大調大提琴奏鳴曲，作品一一九》（Cello Sonata in C major, Op. 119）正是普羅科菲夫於晚年時期譜寫出的作品，不諧和的音程和突如其來的轉調及音樂個性上的變化像是他在述說這一生的經歷和坎坷，讓筆者對於此曲裡每個段落的作曲手法激起了好奇心，希望藉此機會探討此曲後對於欣賞普羅科菲夫的其他作品有更深層的了解。
此研究內容大綱包含中英文摘要、研究動機與目的、研究方法、及創作背景。再來是對於樂曲的深度分析，包含曲式、調性及和聲上的分析。接著是筆者對於樂曲的演奏詮釋及對於困難片段的演奏法和解決方式。最後是對於本文的總結及參考書目。
Sergey Prokofiev( 1891- 1953) , a Russian composer with his very own mindset. During his lifetime from the nineteenth century to twentieth century, Russian government imposed various restrictions to hinder him from composing what he wants. Although the government required his works simple and clear, but some composition techniques and characteristics that belongs to Prokofiev were retained. Cello Sonata in C major, Op. 119 composed by Prokofiev during his late years contains dissonant intervals, sudden key change and frequent change in style of music strongly related to the experience of his whole life.
This research includes bilingual (Chinese and English) abstract, research objectives, methodology and background of the composition. In addition, analysis of the music includes form, tonality and harmony. Followed by performance interpretations and methods will be used to solve the difficult excerpts by the researcher. This research ends with conclusion and bibliography.
