漆情畫意—陳雲麗漆畫創作論述

文化大學機構典藏 CCUR > 藝術學院 > 美術學系所 > 博碩士論文 > Item 987654321/51092

請使用永久網址來引用或連結此文件: https://irlib.pccu.edu.tw/handle/987654321/51092

題名:	漆情畫意—陳雲麗漆畫創作論述 Feeling and Meaning of Great Lacquer Painting– A Discussion for Great Lacquer Painting Artworks of Chen, Yun-Li
作者:	陳雲麗
貢獻者:	美術學系
關鍵詞:	裝飾性繪畫大漆漆畫 decorative painting iconology Chinese lacquer lacquer painting
日期:	2021
上傳時間:	2023-02-22 09:42:43 (UTC+8)
摘要:	筆者的創作論述以大漆為媒材，圖像學的象徵與擬人為主要的表現方式，用裝飾性繪畫來呈現。大漆原本用在器物上，近年來在有心人士的推廣下，大漆繪畫（以下簡稱漆畫）獨立成為特殊的畫種，由於漆畫結合了工藝與美術的技法，筆者解構圖像，重組畫面，用象徵與擬人的意象傳達，讓創作的本身除裝飾外，而更具有其內在的意涵，也更能傳達筆者的某些概念及想法。　　裝飾性繪畫是在東西方有其不同的表現方式，本文西方以新藝術的代表克林姆及慕夏，東方以莫高窟的壁畫藝術及雲南畫派為摹本。裝飾性繪畫常用於宗教故事的傳達，教堂及廟宇中，日常生活的各項物品等，圖騰也從表象的故事及花鳥到意象式的傳達，圖騰跟圖像學有著緊密的關係，因此圖像學成為裝飾性繪畫重要的一環。　　本論文創作以人物為主，藉以花，鳥，動物等圖像，象徵並隱喻某種意涵，透過裝飾性繪畫的方式紀錄並傳達某種想法，藉以引起觀者的共鳴。　　除了參考了圖象學的象徵與擬人外，並吸取東西裝飾性繪畫優點，取材筆者真實的生活，正所謂筆非生活則不靈，藝術創作更是每個創作者內心最直接的表像，我在畫裡，藏著夢想，情感，及過往的種種回憶。 The creation and discussion of this thesis takes Chinese lacquer as the medium, the symbol of iconology and personification as the way of expression, and presents through decorative paintings. Originally used for utensils, Chinese lacquer painting (hereinafter referred to as lacquer painting) has developed into a special kind of painting in recent years under the promotion of people with interest in it. Because lacquer painting combines techniques of craft and fine art, the author deconstructs images, reorganizes pictures and conveys them with symbolic and anthropomorphic images so that the creation itself, apart from the decorations, can contain richer internal meaning and express some of the author’s concepts and ideas in a better way. 　　Decorative painting has different ways of expression in both the eastern and western countries. This thesis takes the representatives of new art Gustav Klimt and Alfons Maria Mucha in the west, and the mural art of the Mogao Grottoes as well as the Yunnan Painting Movement (or Yunnan Huapai) in the east as the copy. Decorative paintings are usually used for the expression of religious stories and the application to churches, temples and items in daily life. Totem varies from the expression of image stories, flowers and birds to the representation of the image transmission. Totem has a close relationship with iconology, thus iconology has become an important part of decorative painting. 　　Focusing on people and using flowers, birds, animals and other images to symbolize and metaphor a certain meaning, the creation of this thesis is to record and convey a certain idea through decorative paintings so as to arouse the resonance of the audience. 　　Apart from referring to the symbol and personification of iconography, this thesis also absorbs the advantages of eastern and western decorative paintings by drawing on the author’s real life. Only by integrating painting with your everyday life can you create a masterpiece. Artistic creation is the most direct representation in the heart of each artist. Dreams, emotions, and various memories of the past are hidden in the paintings.
顯示於類別:	[美術學系所] 博碩士論文

文件中的檔案:

檔案	描述	大小	格式	瀏覽次數
index.html		0Kb	HTML	237	檢視/開啟

檢視Licence

在CCUR中所有的資料項目都受到原著作權保護.

資料載入中.....