| 摘要: | 本研究是以「身歷其境」的質性研究概念，以及用實際行動來體驗人生。並在融入海、魚、船的生活環境氛圍裡，以自身的經歷、視覺、思考、感動、體驗、觀察、想像、紀錄、及生活中的體悟等，再加上前人以智慧撰寫出的「易經」、「孫子兵法」中的觀點，來激發出筆者的創作思維。當然其在中還包含了西美學家的美學思想薰陶，才能順利地完成《漁海共舞》本論文的編篡。在深入繪畫題材的情境生活模式下，也讓筆者在藝術創作的表達方面有所創新。舉「飲料拉環」與油彩結合的這幅作品《 蘇眉魚》為例，其發想正是筆者某天出海鏢旗魚時所突發的構思，因而自搜集拉環到作品完成可說是醞釀了長達三年多的時間。筆者藉由接近大自然的研究途徑，以人的意識作用所產生的藝術創作來反思生存的真正意義及其所帶出的價值性，期望在更暸解自我的內心世界角度下，積極地去面對人生，並力圖超越自我。而那激發自我潛能去塑造出能撼動人心的作品，正是筆者從事藝術創作的終極目標。
The study adopted actual action to experience life based on the qualitative research concept of “personally experience the situation.” With the living environment and atmosphere fusing the ocean, fish, and boats, the writer was inspired for its creative thinking in accordance with its own history, visual, thinking, sensation, experiences, observation, imagination, records, and comprehension in life, together with the viewpoint stated in “The Book of Changes” and “The Art of War” written by predecessors based on their wisdom. By all means, the smooth preparation of the thesis “Dance of Fish and Ocean “ is also affected by Western aestheticians' aesthetics ideologies. With life situations deeply intertwined with the painting theme, the writer gave rise to innovations in expressing artistic creations. In the case of “Humphead Wrasse,” a piece of work that combined “ring pull of beverages” and oil paint, the writer was inspired to have such ideas during a trip at sea to hunt tuna. The work was incubated for an extended period of over three years, from collecting ring pulls to the completion. Adopting the study method of getting close to nature, the writer reflects on the real meaning of living and the value of living by using the artistic creation invented based on human’s function of consciousness. The writer hoped to lead a positive life and strive to outdo oneself when understanding one’s inner world. Motivating one’s potentials to create touching works is the final goal that the writer wanted to achieve through engaging in artistic creation. |
