台北意趣—郭昕昀創作論述

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Please use this identifier to cite or link to this item: https://irlib.pccu.edu.tw/handle/987654321/50957

Title:	台北意趣—郭昕昀創作論述 The Charms of Taipei—A Creation Discourse of Shin-Yun Kuo
Authors:	郭昕昀
Contributors:	美術學系
Keywords:	風景畫意趣故鄉情懷 landscape painting charm hometown feelings
Date:	2021
Issue Date:	2023-02-15 13:19:56 (UTC+8)
Abstract:	「台北意趣」創作研究是以台北生活地方之時間、空間與人的存在因素的綜合組構，題材選擇也是主題方向的定調，歷史不論古今，即有其日常生活為基調並形成獨特意涵，此次作品研究彙整台北河流的風景油畫、新地方誌、復古像素世界形成研究主要的內容。以台北意趣及其周遭景致作為主題，並帶有生活記要的意義，以及具有情趣、趣味的意趣作為呈現的方式。它們既有著日常的記憶，也是實際存在的風景。本文想要藉由作品展現自己的存在意識與城市的景物之間的連結，並且對於此一階段的作品風格進行歸納統整。文論共分五章，第一章、緒論。研究動機緣起及目的，以及研究方法與預期結果來確定本次的研究方向。第二章、相關學理探討。此章說明本次題目台北意趣的詞性解釋，和地理背景，以及在此之下衍伸出來的故鄉情懷。第三章、創作方法與內容。以創作的媒材、形式作為分析探討。第四章、三個系列的作品解析。則是以詮釋筆者作品的創作理念以及畫面分析為主。第五章、結論。則是本次創作研究的統整和研究心得，以及再釐清並確立對未來創作的方向。 “The Charms of Taipei” is a creative study that combines the temporal, spatial, and human existential factors of life in Taipei. The choice of this theme also defines the study direction, as everyday living has set the foundation and formed unique connotations throughout history. This study is mainly composed of landscape oil paintings of Taipei Rivers, new local chorography, and a retro pixel world. By focusing on the charms of Taipei and their nearby scenery as themes, this study displays the significance of life history in a fun and wondrous way. The charms not only hold daily memories, but they also exist as real scenery. This study aims to express the connections between individual existential consciousness and urban landscape, while organizing and compiling the styles of works in this phase. The study unfolds in five chapters. Chapter 1 is the Introduction. It includes the motivation and objective of this study, along with the research method and results to confirm the research direction. Chapter 2 is Relevant Theoretical Discussion. This chapter explains the term “Wonders of Taipei” and provides the geographic background and the hometown feelings derived from it. Chapter 3 is about the Creative Method and Content, which analyzes the creative media and format. Chapter 4 examines three series of works by interpreting the creative concepts in the author’s works and analyzing the images. Chapter 5 is the conclusion that not only summarizes the findings from this creative study, but also clarifies and confirms the direction for future creation.
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