| 摘要: | 傳統建築壁畫是一種應用在住居或廟宇等上面的繪晝，其鋪陳的技巧極為艱難，壁畫容量宏大，涉及政治、宗教、歷史、文化、經濟、民俗和社會生活等廣闊領域，從佛經、道典、神話傳說、歷史故事、生活場景到山水風光、翎毛花卉、圖案裝飾等幾乎無所不包，內容豐富多彩。
台灣傳統建築壁畫，深受中國書畫技法的影響，構圖及設色十分優美，貼切地表現出民間純樸、敦厚、真誠的民族性。在傳統建築中，壁畫具有高度的藝術性價值，畫師的巧筆不僅讓傳統建築的色彩豐富起來，提高了建物的整體美，更融入了精神面意涵。
以往知識分子及藝術家們對於民間傳統藝術的認知有所偏頗，常常以「求新求變」或「畫當隨時代」為藝術的審度標準，造成以世代相襲為要的傳統民俗繪畫，被認定為缺乏時代性、個別性及藝術性，而備受壓抑。
本論文企圖採美術史的角度，闡述傳統建築壁畫的起源、分類、發展及存在空間的意義，並以府城知名畫師潘麗水為對象，論其歷史定位、藝術特色，辨明其源流系統，再分別重建其生命史；希翼透過與時代互動的角度，來呈現與探究傳統壁畫在台灣民間所映照的意義與功用，最後探究台灣傳統建築壁畫在空間共生的意義，及與社會文化之時代連結，以期紓解現階段所面臨的困境，喚起可能的發展生機，並建構台灣傳統壁畫藝術的價值與美學體系。使此一珍貴的藝術類型，得以延續不絕，從而發揚光大。
Traditional architectural mural painting is a kind of delicate decoration applied to structures such as houses or temples. Its laying skills are extremely difficult, and the murals have a huge capacity. Involved in politics, religion, history, culture, economy, folklore and social lifestyles and other rich and colorful fields, including Buddhist scriptures, Taoism, mythology iegends, historical stories, life scenes, landscapes, feathers and flowers, pattern decorations, etc.
Taiwan's traditional architectural murals are deeply influenced by Chinese painting and calligraphy techniques. The composition and coloring are very gorgeous, demonstrating both the simplicity, honesty and integrity of the folks and a high level of artistic value. The painter's skillful brushes not only enrich the colors and the overall beauty of traditional buildings but also incorporate spiritual significance.
In the past, intellectuals and artists were biased in their perceptions of traditional folk arts, using "innovation and change" or "painting in accordance with their dynasty" as the criteria for art evaluation, resulting in a misunderstanding of traditional folk paintings as lacking of contemporary, individual and artistic quality as well as being suppressed.
This dissertation attempts to use the perspective of art history to explain the origin, category, development, and the significance of the existence of traditional architectural murals, taking Pan Lishui, a well-known painter in Fucheng, as the research target for discussing its historical positioning and artistic characteristics, identifying its source system, and reconstructing his life history; hopefully the author is able to present and explore the meaning and functions of traditional temple paintings reflected in people in Taiwan through the perspectives of interaction with different historic periods so as to demonstrate the significance of Taiwanese traditional architectural murals in space symbiosis and its connection with the social and cultural era , The purpose of this dissertation is to alleviate the above-mentioned challengesb modern﹣painters may face at this stage, arouse possible development vitality, and construct the value and aesthetic system of Taiwan's traditional mural art. In doing so, this precious type of art can be handed down from generation to generation. |
