| 摘要: | 風景畫發展至今，已融匯東西方的觀念與技法。如何融合各種媒材、研究新的技法及觀念，創造新局是風景畫家共同的課題。本文試以陽明山學範疇為創作基本架構，陽明山國家公園自然景觀為主題，探討風景畫的現在與未來。
第一章敍述本論文研究動機、研究目的、研究方法、研究範圍及限制。第二章探討陽明山國家自然景觀，第一節介紹陽明山國家公園地理範圍及沿革。第二節探究氣候景觀，並說明影響氣候之因素及形成的氣候景觀。第三節介紹地質景觀，概述火山地質特色、火山地質的成因及後火山活動形成的各種地形地貌。第三章探討陽明山人文建築，第一節介紹重要建築及人文歷史。包括陽明山管理局、草山行館、中山樓、陽明書屋、林語堂故居、素書樓及摩耶精舍。第二節華岡風光，概述張其昀博士與華岡及中國文化大學的淵源，並介紹中國文化大學四季風光。
第四章介紹陽明山的動植物生態。第一節概述園區內動物生態，包括蝴蝶、鳥類、兩棲類動物、爬蟲類及哺乳類。第二節概述園區內植物種類及生態，包括特有種植物、稀有植物、特色植物及代表性植物。第五章為筆者作品解析，畫作以「陽明山學」範疇為中心架構，表現陽明山及華岡景觀為主，係筆者吸收消化陽明山自然景觀，融滙各種技法，表現個人感受。
第六章為結論，第一節回顧筆者創作研究，筆者將中國寫意的概念，結合不同媒材及技法，探討創新的可行性。第二節展望未來創作之路，在古典傳統出發中，加入新工具及媒材，注入時代精神，發展獨特的風格。
Throughout the development of landscape painting, the concepts and techniques of the East and the West have converged. The integration of various media, the study of new techniques and concepts, and the creation of new scenes are common issues for landscape painters. This thesis attempts to explore the present and future of landscape painting based on the category of Yangmingshan Studies as the basic framework of creation and the natural landscape of Yangmingshan National Park as the theme.
The first chapter describes the research motivation, research purpose, research methods, research scope and limitations of this thesis. The second chapter discusses the natural landscape of Yangmingshan . The first section introduces the geographical scope and evolution of Yangmingshan National Park. The second section explores the climatic landscape, and explains the factors that affect the climate and the resulting climatic landscape. The third section introduces the geological landscape, outlines the characteristics of volcanic geology, the genesis of volcanic materials, and the various topography and landforms formed by post-volcanic activities.
The third chapter discusses the humanistic architecture of Yangmingshan, and the first section introduces important architecture and humanistic history. These include Yangmingshan Administration, Caoshan Xingguan, Zhongshan Tower, Yangming Bookstore, Lin Yutang Former Residence, Su Shu Lou, and Maya Abode. The second section of Hwa gang scenery summarizes the relationship between Dr. Zhang Qiyun and Hwa Kang and the Chinese Culture University, and introduces the four seasons of Chinese Culture University.
The fourth chapter introduces the flora and fauna of Yangmingshan . The first section summarizes the animal ecology in the park, including butterflies, birds, amphibians, reptiles and mammals. The second section summarizes the plant species and ecology in the park, including endemic plants, rare plants, characteristic plants and representative plants.
The fifth chapter is an analysis of the author's works. The paintings are based on the category of "Yangmingshan Studies", which mainly express the landscape of Yangmingshan and Hwa Kang. The author absorbs and digests the natural landscape of Yangmingshan , integrates various techniques, and expresses personal feelings.
The sixth chapter is the conclusion. The first section reviews the author's creative research. The author combines the concept of Chinese freehand brushwork with different media and techniques to explore the feasibility of innovation. The second section looks forward to the future creation road, starting from the classical tradition, adding new tools and media , injecting the spirit of the times, and developing innovative and unique styles. |
