文化大學機構典藏 CCUR:Item 987654321/50812
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    CCUR > College of Arts > Department of Fine Arts  > Thesis >  Item 987654321/50812


    Please use this identifier to cite or link to this item: https://irlib.pccu.edu.tw/handle/987654321/50812


    Title: 桀傲不馴的流浪畫家—張義雄之油畫研究
    A proud and untamed wandering painter:A study of oil painting by Chang Yi-Hsiung
    Authors: 林宜蓁
    Contributors: 美術學系
    Keywords: 陳澄波
    黑線條
    白色時期
    巴黎
    街景畫
    Date: 2021
    Issue Date: 2023-02-13 11:14:24 (UTC+8)
    Abstract: 張義雄(1914~2016),出生於臺灣嘉義,曾定居日本、法國,是臺灣第一位經紀畫家,也是第一位獲得法國藝術家年金的臺灣藝術家,2005年獲前總統陳水扁頒發象徵文化最高榮譽四等景星勳章。
    張義雄以自己的畫風,藉由創作記錄了他的人生觀和生活歷程,他的畫風總是會隨著他的生活環境做改變,在五十年代不得志時,畫風多用黑色線條與色塊,又與後期定居法國時不一樣,後期的畫風更加細膩,也更常見市井小民的生活百態,以及人文風情。
    張義雄的藝術啟蒙來自第一代的台灣畫家陳澄波,他的畫風與第一代的畫家不同,畫風大多都已經不是傳統的寫實主義風格,其中更是偏向後印象主義。
    本文主要內容將探討張義雄的生平,以及張義雄的繪畫風格和作品分析,其中也將比較與張義雄畫風相似的藝術家,並分析張義雄與前、後輩畫家和他的學生們的互動與影響。
    Chang Yi-Hsiung (1914~2016) was born in Chiayi, Taiwan. He was the first Taiwanese artist to receive an artist's fellowship in France. In 2005, he was awarded the fourth class Order of the King Star, the highest cultural honor, by former President Chen Shui-bian.
    Chang Yi-hsiung’s painting style has always changed with his living environment. In the 1950s, when he was unlucky, his painting style mostly used black lines and color blocks, which was different from the later period when he settled in France. His painting style was more delicate and more common in the life of the common people and humanistic feelings.
    Chang Yi-hsiung's artistic inspiration came from Chen Cheng-po, a first-generation Taiwanese painter, whose painting style was different from that of the first generation, as most of his paintings were no longer in the traditional realist style, but even more in the post-impressionist direction.
    The main content of this article focuses on the biography of Chang Yi-hsiung and the introduction of his painting style and works. The author also compares artists with similar painting styles to Chang Yi-hsiung, and analyzes his interactions and influences with his predecessors, juniors, and students.
    Appears in Collections:[Department of Fine Arts ] Thesis

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