| 摘要: | 笙是中國古老的簧管樂器，它在歷代音樂當中都占有一定的地位，它悠久的歷史幾乎伴隨了整個中華民族三千一百年來的文明發展史，它的設計與製作上的複雜性可以稱作中國歷史上樂器製作的絕活，充分展現了我們祖先的聰明才智和卓越的創造力。笙在我國古代樂器分類中屬於「匏類」，自從有了象形文字以來，就有了關於它的記載，可謂源遠流長。
周成龍為中國當代樂壇中具代表性的作曲家之一，致力於追求與嘗試不同風格的民族音樂創作方式。音樂情感表達細膩，並具有濃郁的感染力，使聽者能夠深深地感受到作品多層次鮮明的生命動感。《山野》於1987年、《牧歸》於1988年完成的作品，兩首作品使用作曲家在四川當地采風後，以四川當地生活型態與四川山歌的樂曲特性再融入作曲家的作曲手法所譜寫而成，兩首作品運用相同音樂素材，不同種類的笙所演奏，在聽覺上產生不同的感受。
The sheng is an ancient reed instrument in China. It has a certain place in the music of all dynasties. Its long history is almost accompanied by the history of the development of civilization of the entire Chinese nation for 3,100 years. The complexity of its design and production can be Called the unique skill of musical instrument making in history, it fully demonstrates the ingenuity and outstanding creativity of our ancestors. The sheng belongs to the category of ancient musical instruments in our country. Since there were hieroglyphs, there have been records about it, which can be said to have a long history.
Zhou Chenglong is one of the representative composers of Chinese folk music, dedicated to pursuing and experimenting with different styles of folk music creation. The emotional expression of music is delicate, and it has a strong appeal, so that the listener can deeply feel the work's multi-layered and vivid sense of life. The works of
"Shanye" in 1987 and "Mugui" were completed in 1988. The two works used the composer to collect local styles in Sichuan, and then merged into the composer's composition technique based on the local lifestyle in Sichuan and the musical characteristics of Sichuan folk songs. Composed, the two works use the same musical material and are played by different types of sheng, producing different auditory feelings. |
