鍾耀光二胡作品《快雪時晴》之分析與詮釋

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Title:	鍾耀光二胡作品《快雪時晴》之分析與詮釋 An Analysis and Interpretation of “Sunlight after Snowfall” for Erhu by Zhong Yiu-Kwong
Authors:	林家郁
Contributors:	中國音樂學系
Keywords:	二胡京劇鍾耀光快雪時晴
Date:	2021
Issue Date:	2021-03-03 10:28:25 (UTC+8)
Abstract:	在二胡的表演藝術中，除各傳統和現代作品盛行外，跨界藝術於近幾年大力發揚，在環境的自然催化下，使中華傳統民族音樂文化走向更多元發展的創作，在樂曲中結合不同元素的方式做呈現，已逐漸成為一種表演藝術上的新趨勢。筆者所研究的二胡協奏曲《快雪時晴》是由臺灣作曲家鍾耀光先生2008年所創作，原為作曲家受到國光劇團與國家交響樂團的邀約，結合京劇與交響樂團首次跨界合作的京劇新編《快雪時晴》戲做配樂，後再以國樂團協奏版、鋼琴伴奏版等不同編制形式展現，當中更以具有戲曲音樂特色作素材，保有傳統創作理念，譜寫出兼具創新手法及傳統器樂的作品，本研究筆者透過對作曲家鍾耀光及作品首演者閆國威的訪談，深入掌握其作品內涵，更在素材上加以梳理歸納其演奏及詮釋，希望能為往後二胡演奏者提供演奏此作品時更貼近鍾耀光創作樂曲的原意。 In the erhu performing arts, in addition to the prevalence of traditional and modern works, cross-border art has been vigorously promoted in recent years. Under the natural catalysis of the environment, the Chinese traditional national music culture has moved towards more diversified creations in music. The way of combining different elements to present has gradually become a new trend in performing arts. The Erhu Concerto " Sunlight after Snowfall " studied by the author was composed by Taiwanese composer Mr. Zhong Yiu-kwong in 2008. It was originally a new compilation of Peking Opera that was invited by the Guoguang Opera Troupe and the National Symphony Orchestra to combine Peking Opera and the Symphony Orchestra for the first time. The soundtrack of " Sunlight after Snowfall " was then presented in different compilation forms such as the Chinese National Orchestra Concerto version and piano accompaniment version. Among them, it was also used as a material with the characteristics of opera music, maintaining traditional creative concepts, and composing innovative techniques and traditions. Instrumental works. Through interviews with composer Zhong Yiu-kwong and first performer Yan Guowei, the author of this study has in-depth grasp of the connotation of his works, and combed and summarized his performance and interpretation on the materials, hoping to provide performances for future erhu players This work is closer to the original intention of Zhong Yiu-kwong 's composition.
Appears in Collections:	[Department of Chinese Music ] Thesis

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