| 摘要: | 本創作研究之內涵，主要在於描述，處在現代社會中的人們與自身的心理狀態，並將感觸到的種種事物以及筆者童年時期的回憶，賦予在筆者所創造的角色中。因此將此論文訂名為「傀儡丑角」（Harlequin），並加以闡述與探究。
筆者平日觀察與體會生活周遭事物與當今社會現況，有許多的人與事皆受到操縱與控制，像個木偶一樣，任人擺布；同時也觀察到生活中可以常見類似戲曲角色中熟悉的喜劇人物『丑角』，以獨特的化妝、服裝、滑稽可笑的舉動甚至經常出醜而讓我們留下深刻的印象。由於丑角既可以表演正面的機智幽默人物，也可以表演反面的靈魂醜惡、道德敗壞角色，因此筆者試著用繪圖方式將傀儡與丑角兩者的角色，用淺顯易懂的素材呈現。
在論文中，也分別闡述了對筆者創作深具啟發與影響的三位藝術家，分別是奈良美智（Yoshitomo Nara）、村上隆（Takashi Murakami），研究此兩位藝術家的作品進而達到論述與創作合一的效果。筆者也將此論文依序區分為緒論、創作的學理與基礎、創作理念與形式、作品解說與分析、結論等五個章節。
The connotation of this creative research is mainly to describe the psychological state of people and themselves in modern society, and to give the various things they feel and the memories of the author's childhood to the role created by the author. Therefore, this paper was named "Harlequin" (Harlequin), and it was elaborated and explored. I observe and experience the things around my life and the current state of society on weekdays. Many people and things are manipulated and controlled, like a puppet, at the mercy of others; at the same time, I have observed that familiar comedy characters similar to the characters in opera are common in life. "Harlequin", with unique makeup, costumes, ridiculous behavior and even often make a fool of it, and leave us a deep impression. Since the harlequin can perform both positive and witty and humorous characters, as well as negative soul ugly and morally corrupt characters, the author tried to use drawings to present the roles of the culprit and the harlequin in simple and understandable materials. In the thesis, I also elaborated on the three artists who have deeply inspired and influenced the author's creation, namely Yoshitomo Nara, Takashi Murakami, and studied the works of these three artists to achieve discussion and discussion. Create the effect of unity. The author also divides this paper into five chapters in order: introduction, theory and foundation of creation, creation concept and form, work explanation and analysis, and conclusion. |
