笙作品《文成公主》之曲式分析與演奏詮釋

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Title:	笙作品《文成公主》之曲式分析與演奏詮釋 An Analytical and Intenpretational Study of Sheng's ”Princess Wencheng”
Authors:	鄭仕瑩
Contributors:	中國音樂學系
Keywords:	笙文成公主創作標題音樂曲式分析演奏詮釋
Date:	2020
Issue Date:	2021-01-14 13:39:09 (UTC+8)
Abstract:	「笙作品《文成公主》之曲式分析與演奏詮釋」論文當中笙作品《文成公主》（笙協奏曲）為高揚、張式功、唐富三位作曲家共同創作完成的標題音樂樂曲。作品是根據歷史人物故事《文成公主》為標題，採用傳統民間素材融入現代的作曲手法作為樂曲的特色，融合中西的創作特點以凸顯地方戲曲的音樂主體互相貫穿作為音樂主題之素材，將中國文化特質與中西作曲手法交融形成另一嶄新的音樂聲響，全曲導向濃郁東北地域特色的音樂風格。本論文以信仰、文獻史料、音樂知識三方面觀點出發，透過學術系統化的整理與歸納，經由歷史人物的文化時空背景、作曲家的探究、曲式分析、演奏詮釋等四個部分展開，以同位思考的角度對樂曲中欲傳達之風格與點特加以論述，藉由演奏作品來傳遞作曲家的創作原意以及筆者的生命情懷，對欲表現真實意念與音樂本質精神加以闡述，同時對於傳統與現代之間的音樂傳承文化提出觀點與建議。 The Sheng masterpiece ”Princess Wencheng” in musical analysis and performance interpretation Thesis of Sheng’s ”Princess Wencheng” is a joint-composed by title music Composer Yang Gao, Shigong Chang, and Fu Tang. Its title is based on historical figure and story of Princess Wencheng, applying both traditional folklore and modern art of composition as the feature, intermingling both eastern and western specialties in order to highlight the regional drama as the main body which interpenetrates as the material of musical subject, and blending Chinese cultural characteristics and eastern- and western composition techniques to produce a whole new musical sound. The whole masterpiece leads to rich north-eastern regional music style. This thesis starts from three aspects of religion, literature and historical materials, and musical knowledge, through academical systematic organization and summarization, expands to four aspects of cultural background of historical figure, the exploration of the composer, musical analysis, and performance interpretation, discourses about the style and feature conveyed in the musical piece from the angle of same position thinking, through playing the masterpiece, conveys the original meaning of the composer and the life ideal of the author, elaborates about the real ideals and musical spirit, and in the meanwhile, puts forward ideas and suggestions for musical heritage culture between the traditional and modern stage.
Appears in Collections:	[Department of Chinese Music ] Thesis

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