此論文分為四部分，分別是緒論（第一章）、擊樂元素運用（第二章）、樂曲分析實踐（第三～至四章），最後為結論（第五章）。
第一部分講述本研究之緒論，含有研究動機及其目的，並說明研究範圍與方法。第二部分擊樂元素之運用，將肢體元素與其他元素進行分析與整理，亦會分享各種元素融合之作品及其演奏方式，除肢體元素外，亦會探討預置木琴定義以及相關文獻蒐集。第三部分針對《習作1》(Homework1)與《我不屬於你的世界》(I Don’t Belong to Your World)兩首樂曲分析及詮釋，其中分析含括文本翻譯及樂曲中使用素材。詮釋方面則是透過描述樂曲分析、身體律動以及文本之情節內容等進行探討，給予演奏者有更多想像空間，以達戲劇之表演張力。第四部分則為結論，經由本論文各方面研究與資料搜索，給予論文之總結。
This thesis has four parts: introduction(chapter one), application of body percussion elements(chapter two), analysis and interpretation (chapter three to four) and conclusion(chapter five).
The first chapter introduces this research, including the study motivation and purpose. The second chapter analysis and organizes the application of body percussion with other elements, while sharing various pieces of music that combine different elements and how they are performed. Besides the body component, this chapter also contains the research on the definition and the collection of related literature of prepared marimba. The third chapter analysis and interprets two pieces of music,“Homework 1”and“I Don’t Belong To Your World”.The analyzation includes text translation and the materials that are used in the musics. The interpretation covers through music description and analyzation, body movement and the plot of the text which gives the performers more imaginations to express the drama effects of the music pieces. The fourth chapter concludes this thesis with a summary supported by the research and information that had been done in all aspect on this subject.
