長期以來，音樂與繪畫都承載著人類歷史，政治權力象徵，文化素養與情感託付。藝術家廣泛使用音樂與繪畫的元素投入各式的創作表現，其中音樂性的畫意更是在繪畫領域中，時而可見其交融表現。
本文針對音樂性畫意創作所涉及的思維與特徵，論述音樂性畫意如何在繪畫中被塑造與視覺化，探討創作者、作品、觀者間的聯繫關係。
本文推論是多數畫家常以樂器造型或音符，轉化視覺可見的符號或者取用音樂的術語作為畫作的命題，這些方式因創作者的立論不同，各有其論點，然而，也證明哲學思維帶動創作者，作品與觀者處於開放互動的關係，尤其是音樂性畫意作品中所出現的去領域化（deterritorialization），互為「他者/他方」的哲學觀點，更是展現哲學思考對創作內涵的助益。
本文認為以哲學作為建構音樂性畫意的創作，不僅顯現畫意盛華，也必然洋溢韻感的豐富性。
For a long time, music and painting have carried human history, been the emblem of political power, cultural literacy and emotional trust. Artists extensively utilize the elements of music and painting in various arts’ creative expressions. Musicality of painting flavor is often seen with commingled expressions in the field of painting.
This article focuses on the thought and characteristic concerning creation with musicality of painting flavor, expounds on how the musicality of painting flavor could be formed and visualized in painting, and explores the connection among artists, works and spectators.
The corollary of this article is that most painters often utilize the outward appearance of musical instrument or notes, and transform them into visible art symbols, or utilize musical terminology as propositions for their works. These methods have their own interpretations depend on the creators’ personal viewpoints. Obviously artists’ viewpoints often embedded with philosophical thinking which bring together artists, works and spectators in an open-minded and interactive relationship environment. Especially the deterritorialization appeared in the works with musicality of painting flavor, and expression of mutual ¨other¨ prove how philosophical thinking benefits art creation.
This article concludes that based on philosophical thinking, art creations with musicality of painting flavor will show exuberance of painting flavor, but also inevitably overflow with artistic sense of rhythm.
