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    請使用永久網址來引用或連結此文件: https://irlib.pccu.edu.tw/handle/987654321/48544


    題名: 花現-陳嬋娟非典型膠彩畫創作
    Flower unveiled – Unorthodox Gouache painting creations by Chan-Chuan Chen
    作者: 陳嬋娟
    貢獻者: 美術學系
    關鍵詞: 心象形式
    心靈之美
    意向組構
    非典型膠彩畫
    日期: 2020
    上傳時間: 2020-09-08 11:08:00 (UTC+8)
    摘要: 花是植物生命力登峰造極的表現,不論是鮮艷的牡丹,還是素淨的海芋,嬌媚的玫瑰,舉凡所有綻放的花朵,無論它生長在何處,都能夠感動人心,透過花的千姿百態、絢爛色彩和潛藏著鮮活的能量,傳遞了大自然的訊息,具有平衡情緒的神奇力量,所以人類常以花來傳達愛與關懷,撫慰我們受創、受阻的情緒。於是花被敘述、描繪和被詠嘆,成為美學上的共同記憶。筆者以歲月累積的經驗,融入生活中的花作為主題,以花作為情感的投射,心境與花感同身受,聆聽大自然的呼吸聲,用感性的視野靜觀花朵在風中搖曳生姿之態,走進屬於自己想像的獨特空間,真正讓心神達到與花精神交流的境界,傾聽花語來表現心象形式,用熟悉的膠彩畫去詮釋,創作一系列以「花現」為題材的作品,有心靈之美的、生活記趣的和意向組構的花現。
      膠彩畫目前在台灣是屬於比較弱勢的藝術創作媒材,因為它既沒有水墨畫得意忘象的揮灑氣勢,又缺少油畫得天獨厚的傳統空間,甚至常與東洋畫產生混淆;然而膠彩畫並非沒有特色,它兼具了中國古詩獨特的風情,顯現的氣韻、意境與風格,有別於其他繪畫的表現形式。由於膠彩畫的創作過程繁複,花費工夫甚久,不是輕易可完成一張畫,顏料又必須取自昂貴的日本進口的岩繪具,使得從事膠彩繪畫人口,在畫壇上,佔的比例算是少數,為了把膠彩畫推廣與傳承下去,應該在媒材和技巧上做實驗性改革,本文創作研究也是立基於此,針對所謂非典型膠彩畫創作有別於傳統、保守、慣性或常規的風格,並提出以花為主題研究的題旨。
    Flowers are the ultimate expression of life in plants. Whether it is bright peony, pure arum, delicate roses, all blooming flowers can move people's hearts. Through the flowers in various aspects, gorgeous colors, and hidden energy, it conveys the message of nature and has the magical power of balancing emotions. Therefore, human beings often use flowers to convey love and care, soothing our wounded and open blocked emotions. The narrative, depiction, and chanting of the flower become the common memory of aesthetics. The author takes the experience accumulated over the years, integrates flowers into life as the theme, and uses flowers as the projection of emotions. The flower is the representation of the author’s mood and feeling. Listen to the breathing of nature and use the perceptual vision to watch the flowers swaying in the wind. Enter a unique space of your own imagination, truly let the mind reach the realm of communication with the flower spirit, listen to the flower language to visualize its form of mind image. Interpret it with familiar pastel paintings and create a series of works with the theme of "flower unveiled." This series unveiled the beauty in soul, life story, and intentional organization.
      Eastern Gouache Painting is currently a relatively weak art media in Taiwan. Because it does not have the imposing imagery of Ink Painting, nor the long tradition of Oil painting. Quite often people confused Eastern Gouache Painting with Eastern painting. However, Eastern Gouache Paintings are not without their features and characteristics. It has the unique style of Chinese ancient poetry, showing the charm, mood and style, which is different from other paintings. Due to the long and complicated creation process of Eastern Gouache Paintings, it is not easy to complete a painting. The unique rock pigments of Eastern Gouache Paintings must be imported from Japan. These reasons make the artists engaged in Eastern Gouache Paintings far more less than other mainstream art. To promote and inherit the Eastern Gouache paintings, one must experiment in its media and techniques, which it’s also the purpose of this thesis based on. Therefore, pinpoint the differences of “Unorthodox Gouache painting” from traditional, conservative styles of Eastern Gouache paintings.
    顯示於類別:[美術學系所] 博碩士論文

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