| 摘要: | 柳琴協奏曲《無止境的等待》為作曲家林岑陵（1967-）以極簡主義（Minimalism）風格所創作的樂曲。本曲表現了作者心中焦急、躁動、不穩定、不安等情緒，描述作者心中對當下生活、政治與社會紛擾，以及身處在孤立陌生的環境下，自我的渺小、無力感，一切的盼望只能寄託在無止境的等待中。
本文透過爬梳整理極簡主義音樂的發展歷史，對此種音樂的風格進行理解與掌握，並對作曲的背景與創作過程進行訪談研究，再進一步探討演奏詮釋與音樂特色。期望藉由樂曲的分析，首先探討音樂風格如何與個人情感產生連結，最終表達出人的複雜情感狀態。其次，筆者嘗試站在現代青年面對社會環境變動與不確定性的視角，所產生相似的焦慮感受，比擬樂曲的心境並進行同理與分析，以期待對於樂曲進行更加的詮釋演奏。
Liuqin concerto The Endless Waiting was composed by Tsen-Ling Lin in Minimalism style. This song expresses the distress, restlessness, instability, and anxiety in the author's mind, describing the author's in-significant and powerless self in the current life with regards to the po-litical and social disturbances and in an isolated and strange environment. This piece particularly elaborates that all hopes can only be pinned in an endless waiting.
This thesis sorts out the development history of Minimal music by understanding and mastering the style of this music. This study also conducts interview research on the background and composition process of composition, and then further discusses theinterpretation of perfor-mance and the characteristics of music. This thesis is in hope that through the analysis of music, it will first explore how the music style is con-nected with personal emotions, and finally express the complex emotional state of people. Secondly, the author tries to stand in the perspective of modern youth in the face of changes and uncertainties in the social en-vironment, and produces similar anxious feelings, comparing the mood of the music and performing the same analysis and analysis to better in-terpret and perform the music. |
